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The Cinema of Lucrecia Martel
The cinema of Lucrecia Martel provides a comprehensive analysis of the work of the acclaimed Argentine director, whose elusive and elliptical feature films have garnered worldwide recognition since her 2001 debut La ciénaga. The book situates Martel's features and unstudied short films in relation to trends in recent national and international filmmaking. This volume considers existing critical work on Martel's oeuvre, and proposes new ways of understanding it, in particular through desire, the use of the child's perspective, and through the senses and perception. Martin also offers an analysis of the politics of Martel's films, showing how they can be understood as sites of transformation and possibility, develops queer approaches to Martel's films, and shows how they offer new forms of cinematic pleasure. The cinema of Lucrecia Martel combines traditional plot and gaze analysis with an understanding of film as a material object, to explore the films' sensory experiments and their challenges to dominant cinematic forms.
The Child in Contemporary Latin American Cinema
What is the child for Latin American cinema? This book aims to answer that question, tracing the common tendencies of the representation of the child in the cinema of Latin American countries, and demonstrating the place of the child in the movements, genres and styles that have defined that cinema. Deborah Martin combines theoretical readings of the child in cinema and culture, with discussions of the place of the child in specific national, regional and political contexts, to develop in-depth analyses and establish regional comparisons and trends. She pays particular attention to the narrative and stylistic techniques at play in the creation of the child's perspective, and to ways in which...
Stormswept
Originally published: New York, N.Y.: Topaz, 1995, under the author name Deborah Martin.
Instituting Reform
Harvard University's distinctive Social Museum was established in 1903 by Francis Greenwood Peabody (1847-1936) to collect the social experience of the world as material for university teaching. The more than 5,000 photographs and graphic illustrations that survive, including works by Lewis Hine and Frances Benjamin Johnston, are now held by the Harvard Art Museums. Instituting Reform focuses an exacting lens on the Social Museum's history, motive, and meaning. Punctuated by generous portfolio sections, the book's five essays probe the museum's collection, using it as a case study to explore the early institutional uses of photographs as social documents, the systematization of exhibition display by reform organizations, and the role such institutions played in the formation of the modern research university. The museum promoted the study of philanthropic, social, and industrial progress through the inductive method of observation common in the sciences. As the authors demonstrate, however, the social truths made evident were strongly influenced by prevailing values and tensions of the Progressive Era. Published by Harvard Art Museums/Distributed by Yale University Press
A Green Witch's Formulary
In older times, the female head of household was responsible for the health of the household. Doctors or healing priests were usually too far away to consult except in extreme circumstances. In addition to directing the planting & maintenance of the garden, she had an herb room (later, a stillroom) where she dried the harvest and made the necessary medicaments from herbs. Of necessity, she would compile herbal recipes and other practical information used to treat the illnesses and injuries of both family and retainers. This information would come from a variety of sources: her mother & other relatives, neighbors and travelers. Following the tradition of her forebears, Ms. Martin has compiled helpful information on over thirty common health complaints and fifteen magical situations. As her ancestors would have recorded, she includes information on growing your own herbs and how to make herbal preparations.
Windswept
Haunted by a curse that says any man she marries will die soon afterward, Catrin Price seeks to break the curse by reclaiming a Druid chalice, an act that results in her being accused of murder. Original.
Lessons In Love
After being abandoned by a lover, Deborah McMillan no longer believes in happily ever afters. When she accepts a temporary position as governess in Surrey to raise money for her endangered school, she plans to do the job and return to London, funds in hand. But the three orphaned children under her care-not to mention their brooding guardian-have reawakened the desire for a family of her own. The last thing artist Sir Martin Hadley needs is to become baronet, let alone guardian for his late friend's orphaned children-who have already run off three governesses. He just wants to send them to school and return to Italy. Martin doesn't know a thing about family love and doesn't care to learn. So why does new governess Deborah McMillan have him thinking otherwise?
Creole Nights
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Creole Bride
A mysterious Army major is considered a savage by many, but the orphan daughter of a famous buccaneer has discovered a dark secret about him. It's one that could provide her with just the advantage she is after with the exception of the sudden desire between them! Now she faces a future of uncertainty, but also of wild hope in the company of an irresistible unpredictable man.
Woman-Centered Brazilian Cinema
Woman-Centered Brazilian Cinema highlights the bold, inspiring, and diverse work of female filmmakers—including directors, screenwriters, and producers—and female protagonists in the twenty-first-century Brazilian film industry. This volume examines the diverse production and distribution spaces these filmmakers are working in, including documentary, experimental, and short filmmaking, as well as commercial feature films. An intersectional approach runs throughout the chapters with complex considerations around gender, race, sexuality, and class. The book features a mix of research methods and genres, with macro-level political, economic, and industry-wide views of gender disparities appearing alongside in-depth conversations with contemporary filmmakers Maria Augusta Ramos, Petra Costa, Mari Corrêa, and Paula Sacchetta, focused on micro-level personal experiences. In bringing together original essays and interviews, the volume provides valuable information for students of Brazil in general and of Brazilian film in particular.
