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Reprint. Originally published: London: Victoria & Albert Museum, 2012.
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Actors often say they only really assume the identity of their character when they have donned the costumes painstakingly created for them by the costume designer. In this volume of the FilmCraft series of books, sixteen of the world's leading costume designers come together to share their inspiration and knowledge with the reader. They provide insights into the challenges of envisioning a character, working with budgets, and collaborating with production designers, actors and directors. Designers featured include Academy Award winners Aggie Guerard Rodgers, Janty Yates and Lindy Hemming
In Hollywood Sketchbook, Academy Award-nominated costume designer Deborah Nadoolman Landis, president of the Hollywood Costume Designers Guild, showcases more than 1,000 illustrations of costumes from classic motion pictures, many of the designs never before seen by the general public. In this stunning follow-up to her acclaimed Dressed: A Century of Hollywood Costume Design, Landis tell the story of costume design from the birth of the movies to the present day—presenting the work of one hundred of the most provocative and pioneering costume design artists of the last century, including Pauline Annon, Cecil Beaton, Bonnie Cashin, Joe De Yong, and Charles LeMaire.
Contains interviews with 14 of the world's best costume designers and looks at the art of designing costumes for film - James Acheson - Ruth Carter - Deborah Nadoolman - Albert Wolsky - Ann Roth - Piero Tosi___
Contemporary motion picture costume designers detail, in their own words, their most significant recent challenges and show how the creation of costume contributes to the process of building characters for the screen. Stories from the trenchesabout how these designers work with actors and directors.
Actors often say they only really assume the identity of their character when they have donned the costumes painstakingly created for them by the costume designer. In this volume of the FilmCraft series of books, 16 of the world's leading costume designers come together to share their inspiration and knowledge with the reader. They provide insights into the challenges of building a team, working with budgets, and collaboration with production designers, actors and directors. Designers featured include Academy Award winners Janty Yates, Jenny Beavan, Lindy Hemming and Yvonne Blake.
This beautifully illustrated volume explores the cultural history, especially in fashion, of the color pink from the 18th century to today.
Be afraid, be very afraid...a century of cinema nightmare with John Landis, in ePub format for iPad From B-movie bogeymen and outer space-oddities to big-budget terrors, Monsters in the Movies by horror film maestro John Landis celebrates the greatest monsters ever to creep, fly, slither, stalk or rampage across the Silver Screen. Feast your eyes on a petrifying parade of voracious vampires, flesh-eating zombies and slavering werewolves as Landis explores the historical origins of archetypal monsters. Now in an ePub-friendly condensed format, Monsters in The Movies is filled with the author's own fascinating and entertaining insights into the world of movie-making along with contributions from some of the world's leading directors including Joe Dante and Guillermo del Toro, actors and special-effects wizards. Illustrated with movie stills and posters from the unrivalled archives of the Kobal Collection, the book will keep you entertained right until the curtain comes down. Get ready to sit on the edge of your seat - Monsters in the Movies is a gripping read.
Costume is an active agent for performance-making; it is a material object that embodies ideas shaped through collaborative creative work. A new focus in recent years on research in the area of costume has connected this practice in vital and new ways with theories of the body and embodiment, design practices, artistic and other forms of collaboration. Costume, like fashion and dress, is now viewed as an area of dynamic social significance and not simply as passive reflector of a pre-conceived social state or practice. This book offers new approaches to the study of costume, as well as fresh insights into the better-understood frames of historical, theoretical, practice-based and archival re...