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The Destruction of Jerusalem in Early Modern English Literature
This book argues that the destruction of Jerusalem is a key explanatory trope for early modern texts.
The Women of Atelier 17
This timely reexamination of the experimental New York print studio Atelier 17 focuses on the women whose work defied gender norms through novel aesthetic forms and techniques.
The Abstract Impulse
Comprised of nearly fifty paintings, sculptures and works on paper, The Abstract Impulse highlights artists in such critical movements as Abstract Expressionism, Minimalism, and Op Art. Artists who are included are such canonical figures as Robert Motherwell, Jasper Johns, Helen Frankenthaler, and Robert Mangold among others. This publication, together with its coinciding exhibition, seeks to unveil the pluralistic ways in which abstraction developed after 1950, which will be revealed by the grouping of the works stylistically and thematically into three general sections: gesture, geometry, and introspection.
Pastors' Wives
What’s it like when the man you married is already married to God? asks Pastors’ Wives, an often surprising yet always emotionally true first novel set in a world most of us know only from the outside. Lisa Takeuchi Cullen’s debut novel Pastors’ Wives follows three women whose lives converge and intertwine at a Southern evangelical megachurch. Ruthie follows her Wall Street husband from New York to Magnolia, a fictional suburb of Atlanta, when he hears a calling to serve at a megachurch called Greenleaf. Reeling from the death of her mother, Ruthie suffers a crisis of faith—in God, in her marriage, and in herself. Candace is Greenleaf’s “First Lady,” a force of nature who’ll stop at nothing to protect her church and her superstar husband. Ginger, married to Candace’s son, struggles to play dutiful wife and mother while burying her calamitous past. All their roads collide in one chaotic event that exposes their true selves. Inspired by Cullen’s reporting as a staff writer for Time magazine, Pastors’ Wives is a dramatic portrayal of the private lives of pastors’ wives, caught between the demands of faith, marriage, duty, and love.
Self Help Graphics at Fifty
"Self Help Graphics at Fifty celebrates the ongoing legacy of an institution which had profound aesthetic, economic, and political impact on the formation of Chicanx and Latinx art in the United States. Officially launched in 1973 during the Chicano Movement by Italian-American Franciscan nun and artist Sister Karen Boccalero and queer Mexican artists Carlos Bueno and Antonio Ibaänez, Self Help Graphics served on the cultural front of the movement. The institution's commitments to art, dignity for all, and pride in ethnic heritage appear in every aspect of programming, including the Dâia de los Muertos festival; the Barrio Mobile Art Studio, which brings art education to underserved schools; and the printmaking program, which offers an accessible medium infused with activist aims. Looking at the multiple genealogies of art that intersect in East Los Angeles, Self Help Graphics at Fifty bears witness to the organization's influential role in US and global art histories"--
Reclaiming the Americas
"Tatiana Reinoza examines how geography, immigration, and art all converged as deepening interests for Latinx graphic artists, specifically those working in different forms of printmaking. By highlighting the work of four artists, based out of four distinct studios in East LA, Tempe, Austin, and East Harlem, she is able to uncover how their work these past three decades has transcended the more defined lines of scholarship that focus on specific ethnic groups (Chicano, Puerto Rican, etc.). She makes a case for how spatial projects allow for a more collective critique of anti-immigrant discourse, visualize immigrant lives, and articulate the ways in which printmaking has been historically complicit in the colonizing of the Americas"--
A Handbook of Latinx Art
A curated selection of key texts and artists' voices exploring US Latinx art and art history from the 1960s to the present. A Handbook of Latinx Art is the first anthology to explore the rich, deep, and often overlooked contributions that Latinx artists have made to art in the United States. Drawn from wide-ranging sources, this volume includes texts by artists, critics, and scholars from the 1960s to the present that reflect the diversity of the Latinx experience across the nation, from the West Coast and the Mexican border to New York, Miami, and the Midwest. The anthology features essential writings by Mexican American, Puerto Rican, Cuban American, Dominican American, and Central American artists to highlight how visionaries of diverse immigrant groups negotiate issues of participation and belonging, material, style, and community in their own voices. These intersectional essays cut across region, gender, race, and class to lay out a complex emerging field that reckons with different histories, geographies, and political engagements and, ultimately, underscores the importance of Latinx artists to the history of American art.
God's Jury
From Cullen Murphy, editor at large of Vanity Fair, God's Jury is a chilling and powerful account of how the techniques used by the Spanish Inquisition created our modern world. For centuries states have used their power to censor, watch, manipulate and punish. God's Jury argues that the Inquisition - the Catholic body that existed for over 700 years - is not a medieval oddity, but is intrinsically bound up with modernity. From Vatican archives to Guantánamo Bay and the Third Reich, Cullen Murphy shows how the Inquisition's techniques - record-keeping, bureaucracy and a terrifying sense of certainty - are now standard operating procedure, and that the battle between private conscience and o...
Caribbean
Unprecedented in scope, this book examines the modern history of the Caribbean through its artistic culture. Acknowledging the individuality of various islands, the richness of the coastal regions, and the reach of the Diaspora, Caribbean looks at the vital visual and cultural links that exist among these diverse constituencies. The authors examine how the Caribbean has been imagined and pictures, and the role of art in the development of national identity.
