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From the author of The Household Guide to Dying "Tender, wise and extraordinary reading." The Guardian Emily Bronte had written this novel especially for her. For her benefit she had sat alone in her narrow bed in the parsonage, her lap desk on her knees, death all around her with that graveyard right next door, the cold wind from the moors behind rattling the windows...But who had Dove written her story for? Dove is writing a novel for herself, for her mother and for their literary heroines. It describes the life of Ellis, an ordinary young woman of the 1960s troubled by secrets and gaps in her past. Having read Wuthering Heights to her dying mother, Dove finds she cannot shake off the infl...
Books are impractical companions and housemates: they are heavy when you are travelling, and in the home take up a lot of space, are hard to keep clean, and harbour insects. It is not a matter of the physical book, it is the deep emotional connection that stretches back to my early years. Living without them is unimaginable. These collected essays share a joyous and plaintive glimpse into the reading and writing life of novelist, editor and teacher of creative writing Debra Adelaide. Every book I have read becomes part of me, and discarding any is like tearing out a page from my own life. With immediate wit and intimacy, Adelaide explores what shapes us as readers, how books inform, console ...
What was it like that day when the First Fleet sailed into Port Jackson? What was it like for those on board, and those who watched from the shore? Within two years of the Fleet's arrival, those watchers had suffered the shocking ravages of smallpox, their numbers decimated. The disease spread to Aboriginal people throughout the country with devastating results. But how did smallpox arrive in Australia? Vivid and deeply moving, Serpent's Dust explores the paradoxes of white attitudes and the tragedies of white occupation. it is a story of secrets, betrayal and frustrated ambition, grippingly told.
Creative Writing Practice: reflections on form and process explores the craft of creative writing by illuminating the practices of writers and writer-educators. Demonstrating solutions to problems in different forms and genres, the contributors draw on their professional and personal experiences to examine specific and practical challenges that writers must confront and solve in order to write. This book discusses a range of approaches to writing, such as the early working out of projects, the idea of experimentation, of narrative time, and of failure. With its strong focus on process, Creative Writing Practice is a valuable guide for students, scholars and practitioners of creative writing.
And as the waves take her apart, piece by piece, she watches the message of the lighthouse spelling itself out on the surface of the water. Its message is composed in the alphabet of light and dark. Flash, eclipse, flash, eclipse. If we see only the light, we are blinded; only the dark and we will never find our way. A tiny coin found inside a Cloudy Bay oyster, a postcard of a white-haired child leaning against a beached dinghy and a coconut peeled and carved once upon a time on the Batavian coast. These trinkets, found in a sea chest, and the fragmented memories of her grandfather's tall tales are all Essie Lewis has left of her family history. After her grandfather's death, Essie returns ...
Winner of The Australian/Vogel Literary Award for 2001. A compelling, wild novel based on the true story of a young English woman who survives a shipwreck off the coast of Western Australia in 1835.
Dingo Bold is a thought-provoking exploration of the relationship between people and dingoes. At its heart is Rowena Lennox's encounter with a dingo on the beach on K’gari (Fraser Island), a young male she nicknames Bold. Struck by this experience, and by the intense, often polarised opinions expressed in public conversations about dingo conservation and control, she sets out to understand the complex relationship between humans and dingoes. Weaving together ecological data, interviews with people connected personally and professionally with K’gari’s dingoes, and Lennox's expansive reading of literary, historical and scientific accounts, Dingo Bold considers what we know about the hist...
LONGLISTED FOR THE STELLA PRIZE 2014 Debra Adelaide's new collection of short stories intricately maps both the sublime and the mundane landscape of ordinary lives, with her trademark dark wit and luminous intelligence. In Glory in the Flower, distinguished but disillusioned British poet, Bill, crosses the world on the promise of a prestigious literary festival only to find himself roughing it with an unlikely group of amateur poets, with surprising results. One man's attempt to negotiate the Australian taxation system reads like a noir thriller in The Pirate Map, and the minefield of internet dating in Chance artfully balances the absurd and dark side of the human psyche. Harder Than Your Husband follows a serious-minded administrator as he attempts to navigate the induction of a new, and rather perplexing, employee. And the final eclipsing story, Letter to George Clooney, opens a door into a world of terror and deprivation: searing in its devastating restraint, it demonstrates why Adelaide is one of the finest Australian writers of her generation.
Joan London (Gilgamesh), Luke Davies (Candy), Kate Forsyth (The Witches of Eileanan), Andy Griffiths (The Day My Butt Went Psycho), David Malouf (Ransom), and many more contribute This collection of essays and memoir pieces explores the topic of reading, in particular what it means for writers to be readers and how that has shaped their life. Contributors include Debra Adelaide, Joan London, Delia Falconer, Sunil Badami, Gabrielle Carey, Luke Davies, Tegan Bennett Daylight, Kate Forsyth, Giulia Giuffre, Andy Griffiths, Anita Heiss, Gail Jones, Jill Jones, Catherine Keenan, Malcolm Knox, Wayne Macauley, Fiona McFarlane, David Malouf, Rosie Scott, Carrie Tiffany and Geordie Williamson.
As the Titanic and her passengers sank slowly into the Atlantic Ocean after striking an iceberg late in the evening of April 14, 1912, a nearby ship looked on. Second Officer Herbert Stone, in charge of the midnight watch on the SS Californian sitting idly a few miles north, saw the distress rockets that the Titanic fired. He alerted the captain, Stanley Lord, who was sleeping in the chartroom below, but Lord did not come to the bridge. Eight rockets were fired during the dark hours of the midnight watch, and eight rockets were ignored. The next morning, the Titanic was at the bottom of the sea and more than 1,500 people were dead. When they learned of the extent of the tragedy, Lord and Sto...