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Studies in the Islamic Decorative Arts
Islamic artists channelled their energies not into easel painting and large-scale sculpture, but rather into what Western scholars, obeying a very different hierarchy of art forms, rather disparagingly term the decorative arts or even the minor arts. In point of fact, some of the greatest masterpieces of Islamic art are in the media of ceramics, metalwork, textiles, ivory and glass. Often the images they bear express a complex set of meanings, for Islam inherited much material from the iconographic systems of earlier civilizations, notably those of the ancient Near East and of the classical world. Islam also developed its own distinctive vocabulary of signs and symbols. Accordingly, question...
Studies in Islamic Painting, Epigraphy and Decorative Arts
This lavishly illustrated volume features 19 articles by Bernard O'Kane on a wealth of topics in medieval Islamic art, from the Siyah Qalam album paintings and Arab and Persian illustrated manuscripts, to Egyptian and Iranian decorative arts, and to epigraphic developments in Persian and Arabic.
A Handbook of Mohammedan Decorative Arts
The first history of Mohammedan decorative arts to appear in English, this publication from 1930 highlights The Metropolitan Museum of Art's strong Islamic art collection with over 170 works discussed. The diverse selection objects spans over twelve centuries and includes richly illuminated manuscripts, colorful glazed pottery, and intricate woven carpets, among others. Dimand contextualizes Mohammedan decorative arts within the history of Islam and its spread across the world, from the Middle East to Egypt and India.
Islamic Art in the Metropolitan Museum of Art
-Provides an accessible walking tour of the Metropolitan Museum's world-famous Islamic Art Galleries -Features the popular Damascus Room and many other highlights of the Metropolitan's collection -Only guide available to the Islamic galleries of The Metropolitan Museum of Art The museum's superlative collection of Islamic art, from as far west as Spain and as far east as India, ranges in date from the 7th to the 19th century and reflects the diversity and scope of Islamic cultures and the richness of their artistic traditions. This essential guide to the collection is organized into four thematic tours.
The Art of the Islamic Tile
A comprehensive overview of Islamic architectural decoration in all its diversity from a vast geographical area: not only the Middle East, but also Spain, northern Africa, Turkey, Iran and the Indian subcontinent.
Arabesques
Provides keys to the understanding of Moroccan architecture and geometical arabesques.
Islamic Art in Detail
This richly illustrated book allows readers to identify the elements and themes of Islamic art forms, and to examine them in works of painting and metalwork, in calligraphy and manuscripts, ceramics, glass, wood, and ivory.
Cartier and Islamic Art
A sumptuous exploration of the ways in which the Islamic arts have inspired the famous jewelry house Cartier, this book accompanies a major exhibition at the Musée des Arts Decoratifs, Paris, and the Dallas Museum of Art. Louis Cartier (1875–1942), the grandson of Cartier founder Louis-François, was an impassioned collector and patron of the arts. He was particularly entranced by Islamic arts, especially Persian book arts: their geometric shapes, color combinations, and motifs are apparent in Cartier jewelry to this day. Louis’s younger brother Jacques—an expert in precious stones—traveled to India and the Persian Gulf in 1911 and 1912 to experience the culture and bring home treas...
Islamic Art, Architecture and Material Culture
"This book is the published record of the proceedings of one of the first conferences held under the auspices of the newly established Centre for the Advanced Study of the Arab World. The Centre, set up in 2006 with a £5 million grant from the Arts and Humanities Research Council and the Economic and Social Sciences Research Council, comprises a consortium of the universities of Edinburgh, Manchester and Durham whose brief is to secure long-term improvements in the teaching of the Arabic language and of Middle Eastern studies in the United Kingdom. The conference, held in Edinburgh in August 2007 under the title 'Arab art, architecture and material culture', was organised by Margaret Graves...
