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The young Bruno Mulas is found dead in the street, a few meters from the apartment he shared with his friend Gavino. Several posts on Facebook seem to point to a suicide, but Gavino does not think so. Bruno's parents are bewildered, his friends seem to be entrenched in silence. The case becomes an obsession for the protagonist, the crime journalist Nereo Carta, who remains entangled in a network of relationships in which no one is what they seem. The story, structured as a mystery-noir, deals with themes and topics related to the cosmos of young people. Suicide, for example, to which the protagonist dedicates extensive reflections, as well as mental illness and existential distress because of the inability to find a position and meaning in one's life. Translator: Barbara Maher PUBLISHER: TEKTIME
Includes section, "Recent book acquisitions" (varies: Recent United States publications) formerly published separately by the U.S. Army Medical Library.
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A comprehensive account of music in Florence from the late Middle Ages until the end of the Medici dynasty in the mid-eighteenth century. Florence is justly celebrated as one of the world’s most important cities. It enjoys mythic status and occupies an enviable place in the historical imagination. But its musico-historical importance is not as well understood as it should be. If Florence was the city of Dante, Michelangelo, and Galileo, it was also the birthplace of the madrigal, opera, and the piano. Music in Golden-Age Florence, 1250–1750 recounts Florence’s principal contributions to music and the history of how music was heard and cultivated in the city, from civic and religious institutions to private patronage and the academies. This book is an invaluable complement to studies of the art, literature, and political thought of the late-medieval and early-modern eras and the quasi-legendary figures in the Florentine cultural pantheon.
Timothy C. F. Stunt has gathered a range of his essays, both published and unpublished in a collection of largely biographical studies. His subjects range from discontented Quakers hesitating over their identity, to respectable Anglicans who were fascinated with the charismatic phenomena of tongue speaking and healing. Some of the characters with whom he is concerned can be described as "mavericks" on account of their strikingly individualist inclinations. Occasionally their unpredictability takes on a quasi-comic identity, which could even qualify them to be described as "loose cannons." On the other hand, some of them like Edward Irving, Norris Groves, and John Darby played a crucial part in the development of nineteenth-century evangelicalism. In their quest for the ideal church of their dreams, they were often disappointed but one cannot but admire the single-mindedness of their quest.