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Auguste Raffet
  • Language: en
  • Pages: 48

Auguste Raffet

  • Type: Book
  • -
  • Published: 1903
  • -
  • Publisher: Unknown

None

The history of Napoleon
  • Language: en

The history of Napoleon

  • Type: Book
  • -
  • Published: 1841
  • -
  • Publisher: Unknown

None

The History of Napoleon
  • Language: en
  • Pages: 456

The History of Napoleon

  • Type: Book
  • -
  • Published: 1840
  • -
  • Publisher: Unknown

None

Peripheries of Nineteenth-century French Studies
  • Language: en
  • Pages: 340

Peripheries of Nineteenth-century French Studies

The French nineteenth century came to its full fruition only recently, herald and instigator as it was of some of the most important developments of the twentieth century. This volume offers a wide-ranging selection of scholarly approaches to the works of the French nineteenth century, articles that show how pertinent the texts of that moment are to an understanding of our own modernity.

Raffet par ---. Paris, Allison o.J. 205 S.
  • Language: fr
  • Pages: 205

Raffet par ---. Paris, Allison o.J. 205 S.

  • Type: Book
  • -
  • Published: 19??
  • -
  • Publisher: Unknown

None

The History of Napoleon
  • Language: en
  • Pages: 644

The History of Napoleon

  • Type: Book
  • -
  • Published: 1840
  • -
  • Publisher: Unknown

None

Raffet, Son Oeuvre Lithographique Et Ses Eaux-Fortes
  • Language: fr

Raffet, Son Oeuvre Lithographique Et Ses Eaux-Fortes

  • Type: Book
  • -
  • Published: 2013-03-15
  • -
  • Publisher: Unknown

None

The Spectacular Past
  • Language: en
  • Pages: 297

The Spectacular Past

Struggling to make sense of the Revolution of 1789, the French in the nineteenth century increasingly turned to visual forms of historical representation in a variety of media. Maurice Samuels shows how new kinds of popular entertainment introduced during and after the Revolution transformed the past into a spectacle. The wax display (in which visitors circulated amid life-size statues of historical figures), the phantasmagoria show (in which images of historical personages were projected onto smoke or invisible screens), and the panorama (in which spectators viewed giant circular canvases depicting historical scenes) employed new optical technologies to entice crowds of spectators. Such ent...