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On Sibling Love, Queer Attachment and American Writing
Considering the crucial though neglected relationship between sibling love and queer desire from Herman Melville to the cinema of the 1990s and from Henry James to Jamaica Kincaid, Denis Flannery argues for the literal and figurative centrality of fraternal and sororal bonds to queer strands of American literature and culture. His book is an important contribution to queer theory; to American studies; and to the study of culture, writing and affect.
Racine’s Tragedies of Tyranny
In Bajazet and Mithridate Racine depicts the tragedies of characters who either wield tyrannic power or are subjected to tyranny. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts. The contributors to this volume examine Racine’s stagecraft, his exploration of space, sound and silence, his language, and the psychology of those who exercise power or who attempt to maintain their freedom in the face of oppression. The reception and reworking of his plays by contemporaries and subsequent generations round off this wide-ranging study.
On Sibling Love, Queer Attachment and American Writing
Sibling bonds, both literal and figurative, have had a crucial role in American writings of queer desire and identity. In nuanced and original readings, Denis Flannery demonstrates the centrality of fraternal and sororal love to queer strands of nineteenth- and twentieth-century texts from the elemental wildnesses of Moby-Dick to David Fincher's postmodern cinema; from the brutal and comic decorum of Henry James's major fiction to the elegiac memoir-writing of Jamaica Kincaid. Questions driving Flannery's exploration of sibling relations: How do we characterize the relationship between sibling love, queer possibility and the formal intensities of American writing? Why do so many American texts rely on the presence of sibling love to articulate queer desire? Why is brotherhood invoked as a positive value in announcements of United States national aspirations but used repeatedly and ominously in that nation's texts to herald a fall? Written with lyrical clarity and verve, On Sibling Love, Queer Attachment and American Writing is an important contribution to queer theory; to American studies; and to the study of culture, writing and affect.
Queer Impressions
Beginning with The Portrait of a Lady, this book shows how, in developing his unique form of realism, James highlights the tragic consequences of his American heroine's Romantic imagination, in particular, her Emersonian idealism. In order to expose Emerson's blind spot, a lacuna at the very centre of his New England Transcendentalism, James draws on the Gothic effects of Nathaniel Hawthorne and Edgar Allan Poe, thereby producing an intensification of Isabel Archer's psychological state and precipitating her awakening to a fuller, heightened consciousness. Thus Romanticism takes an aesthetic turn, becoming distinctly Paterian and unleashing queer possibilities that are further developed in J...
For the Love of the Game
Queensland State of Origin legends are indelibly printed on the minds of rugby league supporters – Lewis, Meninga, Lockyer… They are lauded for their contributions to the greatest game of all and rightfully so. But what about all the great players who played for Queensland before Origin? They are not so easily remembered, but this does not mean their status should be in any way diminished. This book is a tribute to their courage, dedication and spirit – and to their love of the game.
Sadliers' Catholic Directory, Almanac and Ordo
"With a full report of the various dioceses in the United States and British North America, and a list of archbishops, bishops, and priests in Ireland.
The Location of Religion
The ways in which humans interact with their location is an important topic within sociological studies of religion. It is integral to the place of religion in secular society. 'The Location of Religion: A Spatial Analysis' offers an overview of the ways in which religion can be located within social, cultural and physical space. It examines contemporary spatial theory - notably the work of the influential sociologist Henri Lefebvre - and the many disciplines that have contributed to the spatial study of religion. This volume will be invaluable to all those interested in the role of religion in spatial analysis.
Henry James, Impressionism, and the Public
Proposing a new approach to Jamesian aesthetics, Daniel Hannah examines the complicated relationship between Henry James's impressionism and his handling of 'the public.' Hannah challenges solely phenomenological or pictorial accounts of literary impressionism, instead foregrounding James's treatment of the word 'impression' as a mediatory unit that both resists and accommodates invasive publicity. Thus even as he envisages a breakdown between public and private at the end of the nineteenth century, James registers that breakdown not only as a threat but also as an opportunity for aesthetic gain. Beginning with a reading of 'The Art of Fiction' as both a public-forming essay and an aesthetic...
All the Devils Are Here
The English literary influence on classic American novelists’ depictions of gender, sexuality, and race With All the Devils Are Here, the literary scholar David Greven makes a signal contribution to the growing list of studies dedicated to tracing threads of literary influence. Herman Melville’s, Nathaniel Hawthorne’s, and James Fenimore Cooper’s uses of Shakespeare and Milton, he finds, reflect not just an intertextual relationship between American Romanticism and the English tradition but also an ongoing engagement with gender and sexual politics. Greven limns the effect of Shakespeare’s Much Ado about Nothing on Hawthorne’s exploration of patriarchy, and he shows how misogyny in King Lear informed Melville’s evocation of “the step-mother world” of orphaned men in Moby-Dick. Throughout, Greven focuses particularly on male authors’ treatment of femininity, arguing that the figure of woman functions for them as a multivalent signifier for artistic expression. Ultimately, Greven demonstrates the ambitions of these writers to comment on the history of the Western tradition and the future of art from their unique positions as Americans.
