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Nicole's War
Against the backdrop of France during the Second World War, Nicole, a young British woman, must face her own challenges. As the Nazi forces advance, Nicole tries to escape to England but becomes separated from her family and eventually returns to occupied Paris. There, as the war intensifies, Nicole’s commitment to the Resistance deepens and she begins to write for the underground Valmy newspaper. However, her growing involvement leads her into increasing danger, facing the constant fear of arrest and execution or deportation. Nicole’s War is an evocative and moving exploration of love, the power of hope in the face of adversity and the unyielding spirit of those who fought for freedom during one of history’s darkest periods.
Worlds Apart?
Literary critics and scholars have written extensively on the demise of the "utopian spirit" in the modern novel. What has often been overlooked is the emergence of a new hybrid subgenre, particularly in science fiction and fantasy, which incorporates utopian strategies within the dystopian narrative, particularly in the feminist dystopias of the 1980s and 1990s. The author names this new subgenre "transgressive utopian dystopias." Suzette Haden Elgin's Native Tongue trilogy, Suzy McKee Charna's Holdfast series, and Margaret Atwood's The Handmaid's Tale are thoroughly analyzed within the context of this this new subgenre of "transgressive utopian dystopias." Analysis focuses particularly on how these works cover the interrelated categories of gender, race and class, along with their relationship to classic literary dualism and the dystopian narrative. Without completely dissolving the dualistic order, the feminist dystopias studied here contest the notions of unambiguity and authenticity that are generally part of the canon.
May 2-4, 1966. pp. 455-779
Considers S. 2353 and related bills, to amend the Bank Holding Company Act by redefining "bank holding company" and by eliminating the one-bank exemption for bank ownership by non-banking concerns.
