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The Police On Track
Forming when punk was starting to become a force, The Police – led by drummer Stuart Copeland and singer/bassist Sting - used this emerging new form of music to create a sound that was both fresh, energetic and sophisticated. An early incarnation with guitarist Henry Padovani ended when Andy Summers joined the band, and under the innovative management of Miles Copeland, The Police took on the world. From 1978 to 1983, the band released five magnificent albums that took in rock, reggae, and world music. A succession of massive hit singles, including ‘Message In A Bottle’ and the classic and often misunderstood ‘Every Breath You Take’ also cemented their success. By 1983, they’d be...
The Byrds on track
The Byrds were just a little bit ahead of their time. By releasing six genre-defining albums in three years, their transformative powers took electric guitars to traditional folk music, brought jazz into psychedelic pop and helped introduce what we now know as Americana, being the first major rock band to embrace the sound of Nashville. They were heralded as the pioneers of folk rock, acid rock and country rock, not to mention space rock, abstract electronics and all the inter-genre crossover material that defines most of their albums. They influenced so many of the musical movements that followed as they constantly progressed, hungry to push the boundaries of popular music. This book examin...
Experimental Music
Summary: A lively accessible survey of contemporary exploratory music in Australia. Complemented by iamges and an audio CD, it offers a fascinating glimpse into the vibrant world of sound art and the role of experimentation in contemporary Australian culture.
Eagles on track
Eagles began as a backing group for vocalist Linda Ronstadt before striking out on their own. All being accomplished vocalists, musicians and songwriters, they jointly set themselves the goal of ‘number one singles and albums, great music, and a lot of money’. With guitarist Glenn Frey and drummer Don Henley as the combined driving force, by 1975 they had topped the singles and album charts at home and found major success in Britain and across the world, while establishing themselves as America’s foremost band. The global success of Their Greatest Hits 1971-1975 and Hotel California, to this day the first and third best-selling albums in America of all time, proved impossible to surpas...
The Bee Gees in the 70s
The Bee Gees’ music and image have long been synonymous with the 1970s, and the career trajectory of brothers Barry, Robin, and Maurice Gibb in those ten years meanders between dizzying highs and devastating lows. In 1970, the band was bitterly split after succumbing to the pressures and excesses of their first wave of international fame in the latter part of the 1960s, but by 1979 they were one of the most successful music acts on the planet. In between, the brothers crafted timeless works that defied genre, transcended societal boundaries, and permeated generations of listeners. The Bee Gees would go on to sell over 200 million records, making them among the best-selling music artists of...
Killing Joke on track
Forged in a London fire ritual in 1979 and reborn with their original line-up in 2008, Killing Joke have been creating uncompromising music for over 40 years. In addition to their incandescent self-titled debut in 1980, they have released essential albums in each of the past four decades: Night Time (1985), Pandemonium (1994), Killing Joke (2003) and Pylon (2015). But Killing Joke are more than a band; they are a primal force that exerts an intangible gravity on both its members and its fans. They have influenced countless groups across multiple genres – including Metallica, Nirvana and Nine Inch Nails – while their own style ranges across post-punk, dub, industrial, world music, electro...
The Bee Gees in the 1960s
In April 1967, the Bee Gees launched themselves onto the international music scene with the release of ‘New York Mining Disaster 1941’. Whilst that haunting classic would be the first of many hits, the Bee Gees consisting of brothers Barry, Robin and Maurice Gibb had been releasing records since 1963. As extraordinary as it sounds, with more than ten years of performing and four years of recording behind them, the Gibb twins, Robin and Maurice, were just seventeen while elder brother Barry was only twenty. In an incredible career the Bee Gees would go on to sell over 200 million records, making them among the best\-selling music artists of all time, they would be inducted into the Rock a...
Ian Hunter On Track
As well as his time in Mott The Hoople, Ian Hunter has had a long and adventurous solo career. In this book, we unlock the secrets behind every lyric, riff, and melody. From the soul-stirring anthems that defined an era to the hidden gems that eluded the spotlight, we leave no chord unheard. It is an immersive voyage into the evolution of a songwriter extraordinaire, as we explore the stories, inspirations, and the mind of the creative maverick that brought these songs to life. With a mix of anecdotes, in-depth analyses, and a touch of rockstar charisma, this book isn't just a collection of pages, it's a front-row seat to Hunter's musical legacy. Whether you've been inspired by ‘All The Yo...
Carpenters On Track
The brother and sister team of Karen and Richard Carpenter rank as one of the most successful acts in pop music history. Between the first Carpenters’ album released in 1969 and their final studio album together in 1981, they achieved three Grammy awards, 18 hits in the US Top 20 (and ten in the UK) and multiple platinum discs, leading to eventual sales of over 100 million copies worldwide. Although the group’s career was brought to a tragic and premature end by the untimely death of Karen Carpenter in 1983, they remain a much-loved band. The Carpenters crafted their own distinctive sound with multi-part harmonies and lush arrangements. A unique singer and gifted interpreter of songs, Ka...
Electronic Cities
This book examines Electronic Dance Music (EDM) scenes in 18 cities across Africa, the Middle East, Europe, Asia, North America and Australia. It focuses on the historical development of these scenes, with an emphasis on the post-2000 context, including the COVID-19 pandemic and its far-reaching effects. Expert contributors highlight the influence of geographical contexts, as well as cultural and political histories, in the development of mainstream EDM scenes and underground Electronic Dance Music Cultures. This expansive work offers additional insights on cultural and creative policies, planning interventions and regulations associated with nightlife management, and provides a detailed analysis of current challenges inherent to the governance of EDM scenes in contemporary cities.
