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Soul Exchange is an exploration of the art and life of Dennis Paul Williams, a St. Martinville native who has made a lifelong career painting spirits in their heavenly realm. Williams was driven as a child to draw, paint, and explore artistic materials as he embraced his Creole heritage, where every aspect of life revolves around faith, celebration, and beauty. Williams's works have evolved into expressions of his deep spirituality. The objects he creates are imbued with beauty and intrinsic spiritual power. He has works in numerous museums in the U.S. and beyond. Many of his paintings can also be found in private collections around the world. Wiliams has also enjoyed a parallel career as a ...
Facing Armageddon is the first scholarly work on the 1914-18 War to explore, on a world-wide basis, the real nature of the participants experience. Sixty-four scholars from all over the globe deliver the fruits of recent research in what civilians and servicemen passed through, in the air, on the sea and on land.
Textbook on Criminal Law combines succinct focused coverage, alongside the author's respected critique and analysis of the law, judgements, and legal reform. Covering all of the topics studied on undergraduate and GDL criminal law courses the text provides the ideal balance of coverage and detail.
Glanville Williams' Textbook of Criminal Law is an exposition and evaluation of the general principles of criminal law. Now updated and rewritten for modern criminal law courses, the author, Dennis Baker, brings back the classic style of Glanville Williams' insight but focused on modern criminal law today
"Until now, only visitors to the National Gallery of Guyana would have had any chance of recognising just how outstanding an international artist Denis Williams was. This book presents a unique and long-overdue opportunity for the reader to access his art in all its range and variety, not least because its author, his daughter Evelyn A. Williams, provides access to paintings and drawings held by the family, rarely if ever seen before. What the book represents is a story of both an outstanding talent, praised world-wide, by the likes of Henry Moore and Salvador Dali, and a journey of searching integrity in which Williams placed the necessity of his vision before any urge to win the plaudits of fame and fortune in the art world. It is a story of a constant need to expand the forms of his art and to escape from constriction." -- Book jacket.
100 Years: Maori Rugby League 1908-2008 tells the story of the New Zealand Maori Rugby League Team from its origins in 1908 to the present day. The book covers major matches, along with biographies of prominent players and administrators. A rich collection of stories and interviews with former players tells the reader what really happened off and on the field. The book has been thoroughly researched with information coming from England, France, Australia and throughout New Zealand, and it is illustrated with over 200 images. There have been no books specifically written on Maori involvement with rugby league, until now. 100 Years: Maori Rugby League 1908-2008 is about players, administrators and whanau. It's about the fabulous moments, the glories of victory and the agonies of defeat, and it gives a comprehensive story of Maori participation in rugby league.
IF I STOP I'LL DIE is an incisive examination of the comedian's life and humor which not only reveals details of Pryor's troubled but brilliant career - his infamous "Las Vegas metamorphosis," his friendships with the black intelligentsia of 1960s Berkeley, his little-known contributions to the scripts in which he appeared - but also places these events within the context that shaped Pryor's outlook, personality, and opportunities. And it captures the irony that pervaded his life and career: how he could present brilliantly universal material from such a militantly black perspective; how the powers of Hollywood could force him to portray on film the very racial caricatures that he lampooned on stage; how he could publicly flaunt his private exploits, with embellished comedic versions of his drug use, sexual adventures, and bursts of violence, while fiercely protecting the real facts behind such episodes.
Introduction by Peter Ackroyd. An enchanted time capsule transports us back to the 18th century and brings an old house to life. Growing up in California, Dennis Severs fell in love with the England he saw in old black and white movies. In 1979 he bought a run-down house in Spitalfields and over the next twenty years he filled it with objects and furniture found in local markets. He wanted his visitors to feel they were stepping through time, into an old master painting. He invented a family to live in it, the Jervis family, Huguenot silk-weavers who arrived from Nantes in 1725. Before Dennis died in 1999 he put the stories of the house, the Jervis family and his own life into this book. It is illustrated throughout by photographs taken by his niece, Stacey Shaffer, using the natural light that Dennis loved. The Dennis Severs House is run by the Spitalfields Trust and is open to visitors. "From the Hardcover edition.