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The Legacy of the Barmen Declaration
In 1934, during the Nazi regime in Germany, members of the Confessing Church issued the Declaration of Barmen, which reaffirmed their primary loyalty to the word of God. With their action, they established a legacy for future generations to follow in similar situations.This volume examines the historical, political, and theological context of the creation of the Barmen Declaration, as it constituted an act of theological and political resistance against tyranny, terror, and fascism. The work of the Barmen Declaration demonstrated clearly and powerfully the "this-worldly" ethical and political salience of religion and theology to empower witness, resistance, and solidarity. Containing contributions from an inclusive array of renowned scholars, the volume unfolds the lasting legacy and continued relevance of Barmen.
Truth, Community, and the Prophetic Voice
The central concern of Truth, Community, and the Prophetic Voice is to ask how it might be possible today to uphold an understanding of the prophetic voice that comports in essential ways with its expression in the biblical vision, while attending especially to contemporary judgments regarding the epistemological significance of community and concerns about the nature and function of claims to truth. Ultimately and more specifically, Christopher J. Libby hopes to gain some purchase on what an adequate contemporary Christian theological rendering of the prophetic looks like. He argues that it is not only possible to provide a non-foundationalist account of the prophetic voice, but that that voice is able to come truly into its own when cast in a non-foundationalist frame.
Karl Barth's Moral Thought
Gerald McKenny follows Barth's efforts to present God's grace as a moral norm in his treatments of divine commands, moral reasoning, responsibility, and agency.
Karl Barth in Conversation
Karl Barth was an eminently conversational theologian, and with the Internet revolution, we live today in an eminently conversational age. Being the proceedings of the 2010 Karl Barth Blog Conference, Karl Barth in Conversation brings these two factors together in order to advance the dialogue about Barth's theology and extend the online conversation to new audiences. With conversation partners ranging from Wesley to iek, from Schleiermacher to Jenson, from Hauerwas to the Coen brothers, this volume opens up exciting new horizons for exploring Barth's immense contribution to church and world. The contributors, who represent a young new generation of academic theologians, bring a fresh perspective to a topic--the theology of Karl Barth--that often seems to have exhausted its range of possibilities. This book proves that there is still a great deal of uncharted territory in the field of Barth studies. Today, more than forty years since the Swiss theologian's death, the conversation is as lively as ever.
Theology in the Mode of Monk: An Aesthetics of Barth and Cone on Revelation and Freedom, Volume 1
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian who constructed his theology “from above” and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology “from below” and confronted white racism—the most intractable issue in America’s history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. This first volume appeals to the Bebop tune “Epistrophy” as the analogical framework for (re)conceptualizing the historical form and hermeneutical backgrounds of Karl Barth and James H. Cone. Monk’s mode of musical thinking establishes the aesthetic theological architecture Carr uses to reiterate and reimagine the revolutionary theological contributions of Barth and Cone.
Unsettling Arguments
Scott Bader-Saye Frederick Christian Bauerschmidt Michael Baxter Daniel M. Bell Jr. Jana Marguerite Bennett Michael G. Cartwright William T. Cavanaugh Peter Dula Chris K. Huebner Kelly S. Johnson D. Stephen Long M. Therese Lysaught David Matzko McCarthy Joel James Shuman J. Alexander Sider Jonathan Tran Paul J. Wadell Theodore Walker Jr.
Summa Metaphysicae Ad Mentem Sancti Thomae: Essays in Honor of John F. Wippel
The essays of Patristic Exegesis in Context examine the biblical exegesis of early Christians beyond the formal genre of biblical commentary. The past couple of decades have seen a broadening of perspective on the study of patristic exegesis; the phenomenon is increasingly situated within its various literary contexts and genres, and the definition of what counts as patristic exegesis is therefore widened. This volume thus situates itself within this emerging scholarly tradition, which aims not to give an account of exegetical strategies and methodologies as found primarily in exegetical commentaries and homilies, but to demonstrate the highly sophisticated nature of biblical exegesis in oth...
Christ Is Time
Christ Is Time: The Gospel according to Karl Barth (and the Red Hot Chili Peppers) welcomes you to the jungle of Barth's head-banging opus, the Church Dogmatics, with the beats, rhythms, and lyrics of Smashing Pumpkins, Pearl Jam, Metallica, and more. Based on lectures at Princeton Seminary, Edwards distills Barth's treatment of key questions in philosophical and systematic theology, offering a playlist of greatest hits on trinity, Christology, prayer, and others. With the care of a scholar and the energy of a stack of Peaveys, Christ Is Time testifies that the eternal God "gives it away" as time through Jesus Christ. Let's face it: Karl's style is a bit Beastie. And since Depeche Mode can say it best, this just might be a match made in Nirvana. Go gaga.
Theology in the Mode of Monk: An Aesthetics of Barth and Cone on Revelation and Freedom, Volume 2
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology “from above” and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology “from below” and confronted white racism—the most intractable issue in America’s history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. In this second volume, Carr appeals to Monk’s tune “’Round Midnight” as the analogical framework for articulating the meaning between Christ, the cantus firmus, and the sociopolitical histories of Karl Barth and James Cone. Monk’s encouragement to “improvise on the melody” is heard as the melodic foundation for a new form of christological reflection.
The Philosopher’s Playground
Since its inception in 1994, scriptural reasoning has been practiced by academics and religious laypeople on an international scale. Scriptural reasoning is an activity or practice where Jews, Christians, and Muslims read and study together short passages from their traditionally sacred texts. In this book, Jacob L. Goodson describes this activity by giving a tour through modern philosophy and showing how certain arguments, ideas, and theories from modern philosophers help make sense of this inter-religious practice. According to Goodson, one of the most interesting aspects of the practice of scriptural reasoning concerns how its driven by a tension between pragmatism and semiotics--what he ...
