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A beloved literary artefact, presented for the first time as the author intended.
This collection of original essays brings international and multidisciplinary perspectives to the problem of how to understand and practice editorial mediation: How does editing alter what it seeks to represent? How does it condition the relationship between texts and readers? The different concerns shared by editors of a variety of genres, literary and otherwise, emerge here as constructive new approaches to the theory and practice of editing are explored. The essays make a concerted attempt to assess the implications of postmodern thought on one of the oldest and most fundamental cultural activities, editing The section on theory covers such important subjects as editorial responsibility, the death of the author, and the nature of the authorial voice. The practice section covers actual editing situations in various literary areas and in musicology, recorded music, and the preservation of oral literature. The multidisciplinary volume will find its readers among students of textual criticism, literature, music, and folklore as well as any readers of postmodern criticism.
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Just what makes a locale one of the world's most mysterious places is a subject open to debate. But if Bigfoot, UFOs, and chain-rattling ghosts all appear in one particular location, time and again, along with a fantastic range of other bizarre phenomena, then this is highly suggestive that the place is truly weird and mysterious in the extreme. Readers will learn startling truths of these amazing, paranormal locations and uncanny hot spots. Included are eerie haunts scattered across the United States, Russia, Canada, and just about everywhere in between, including such infamous locales as Death Valley, the Bermuda Triangle, Loch Ness, and even the New York City subway. Also addressed are the various theories that have been posited to explain why such places have become so infinitely weird in the first place. This is a wild tour of the world and its many rich cultures and folklore that reveals the top twenty-five places on Earth that are...well...incredibly weird and mysterious.
The first multi-disciplinary collection of essays to focus exclusively on early Canadian literature with the aim of reassessing the field and proposing new approaches.
Relates to the international educational exchange program and includes the executive agreements establishing the United States Educational Foundations and Commissions.
From central Glasgow to rural Wiltshire, a husband-and-wife team track down Britain’s rarest and most enigmatic animals. 'Weasely my favourite book of the year.' Dave Goulson, author of Silent Earth A COUNTRYFILE AND WATERSTONES BEST NATURE BOOK OF 2023 Britain is teeming with wildlife, often in the most unexpected places. There are quarries where rare bats hang out with pot-smoking teens. In Glasgow’s urban parks water voles are thriving – without water. Our coastlines are bustling with grey and harbour seals. That’s the good news. The bad news is that a quarter of British mammals are at imminent risk of extinction. Tim Kendall and Fiona Mathews take us on a safari unlike any other....
In the mid-1950s, much Canadian literature was out of print, making it relatively inaccessible to readers, including those studying the subject in schools and universities. When English professor Malcolm Ross approached Toronto publisher Jack McClelland in 1952 to propose a Canadian literary reprint series, it was still the accepted wisdom among publishers that Canadian literature was of insufficient interest to the educational market to merit any great publishing risks. Eventually convinced by Ross that a latent market for Canadian literary reprints did indeed exist, McClelland & Stewart launched the New Canadian Library (NCL) series in 1958, with Ross as its general editor. In 2008, the NC...