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Modern English War Poetry
Modern English War Poetry ranges widely across the twentieth century, incorporating detailed discussions of some of the most important poets of the period. It emphasizes the influence of war and war poetry even on those poets usually considered in other contexts, such as Ted Hughes and Geoffrey Hill.
Poetry of the First World War
The First World War produced an extraordinary flowering of poetic talent, poets whose words commemorate the conflict more personally and as enduringly as monuments in stone. Lines such as 'What passing-bells for these who die as cattle?' and 'They shall not grow old, as they that are left grow old' have come to express the feelings of a nation about the horrors and aftermath of war. This new anthology provides a definitive record of the achievements of the Great War poets. As well as offering generous selections from the celebrated soldier-poets, including Wilfred Owen, Siegfried Sassoon, Rupert Brooke, and Ivor Gurney, it also incorporates less well-known writing by civilian and women poets...
The Art of Robert Frost
Offers detailed accounts of sixty-five poems that span Frost's writing career and assesses the particular nature of the poet's style, discussing how it changes over time and relates to the works of contemporary poets and movements.
Sylvia Plath
Sylvia Plath was one of the most gifted and innovative poets of the twentieth century, yet serious study of her work has often been hampered by a fierce preoccupation with her life and death. Tim Kendall seeks to redress the balance in his detailed and dispassionate examination of her poetry. Taking a roughly chronological structure, he traces the unique nature of Plath's poetic gift, finding - with reference to Letters Home, The Bell Jar, The Journals and the stories and autobiographical reminiscences - an essential unity in her inspiration, tracing the evolution of recurring themes and at the same time exhibiting her accelerated development from the formal restraint of The Colossus through to the ground-breaking techniques of Ariel. He shows that Plath was a poet constantly remaking herself, experimenting with different styles, forms and subject matter.
The Oxford Handbook of British and Irish War Poetry
The Handbook ranges widely and in depth across 20th-century war poetry, incorporating detailed discussions of some of the key poets of the period. It is an essential resource for scholars of particular poets and for those interested in wider debates. Contributors include some of the most important international poetry critics of our time.
The Blessed Virgin Mary
This volume provides a concise, nontechnical historical introduction to the church's thinking about Mary, the mother of Jesus. The first part of the book sketches the development of Marian thought from the second century to the twentieth century. The second part contains an annotated bibliography of the most important and accessible English-language works on Mary. Tim Perry, an evangelical Anglican priest, and Daniel Kendall, a Roman Catholic Jesuit priest, have joined across the Reformation divide to provide an irenic, balanced volume for students and general readers interested in this most remarkable woman and the ways in which she has shaped Christian thought.
Strange Land
A first collection with conviction and authority, Strange Land gathers poems of love and of the natural world, elegies and satires, poems of childhood and parenthood, verses of the familiar and the exotic, apocalyptic and meditative. Kendall resists settling for the comfort of a single voice: in their formal variousness his poems evoke lives that are questing and contradictory, antic and mundane. The history of the last century cannot be evaded-- poems are haunted by the Second World War and its legacy, by Einstein, by the space race and the transformative discoveries of Hubble "I sing the time being, I sing/the getting there, not knowing where to get/and whether I should not not care/as rumours of progress dwindle to farce."
Clinical Governance in Mental Health and Learning Disability Services
This practical guide covers the background to the development of clinical governance, suggests structures for implementation and addresses the main areas of clinical governance. Each chapter is summarized with key issues and implementation points.
The Cambridge Companion to the Poetry of the First World War
The poetry of the First World War remains a singularly popular and powerful body of work. This Companion brings together leading scholars in the field to re-examine First World War poetry in English at the start of the centennial commemoration of the war. It offers historical and critical contexts, fresh readings of the important soldier-poets, and investigations of the war poetry of women and civilians, Georgians and Anglo-American modernists and of poetry from England, Ireland, Scotland, Wales and the former British colonies. The volume explores the range and diversity of this body of work, its rich afterlife and the expanding horizons and reconfiguration of the term 'First World War Poetry'. Complete with a detailed chronology and guide to further reading, the Companion concludes with a conversation with three poets - Michael Longley, Andrew Motion and Jon Stallworthy - about why and how the war and its poetry continue to resonate with us.
War and Literature
This Special Issue focuses specifically on the topic of commiseration with the “enemy” within war literature. The articles included in this Special Issue show authors and/or literary characters attempting to understand the motives, beliefs, and cultural values of those who have been defined by their nations as their enemies. This process of attempting to understand the orientation of defined “enemies” often shows that the soldier has begun a process of reflection about why he or she is part of the war experience. The texts included in this issue also show how political authorities often resort to propaganda and myth-making tactics that are meant to convince soldiers that they are fighting opponents who are evil, sub-human, etc., and are therefore their direct enemies. Literary texts that show an author and/or literary character trying to reflect against state-supported definitions of good/evil, right/wrong, and ally/enemy often present an opportunity to reevaluate the purposes of war and one’s moral responsibility during wartime.
