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The Book of Guardians
This is a detective story set in 1980s Shrewsbury and Toronto. A social worker, Philip Eyre, searches for the father of a baby girl and finds himself obsessed by the girl’s mother who ends up in psychiatric hospital after trying to commit suicide. While investigating the case, Philip comes to question his own life – his own fathering and father.The case apparently solved, Philip takes a job in Toronto as a researcher but becomes haunted by his own past. He returns to England, and a new obsession with the case gathers pace. Is the baby related to him? Are they connected by some strange literary provenance – Charlotte Bronte’s novel, Jane Eyre? By now he is randomly switching from one possibility, one bizarre plot about orphans and illegitimacy, to the next. He suffers a breakdown; the pursuit of an answer has turned back in on him; now he is the one who feels pursued. The Book of Guardians is a haunting novel that leaves readers wondering whether it is possible to recall and know your own past with any degree of certainty.
Derek
Emily had lived a relatively sheltered life in Bar Harbor Maine until Derek Burnes walked into her families gift shop. Derek, a tall incredibly handsome man with a quirky smile and penetrating green eyes knows that Emily is his destiny. He has to win her love or she will die at the hand of his adversary. But Derek has a secret, he's a vampire. In order for Derek to protect the delicate blonde Emily he must charm her into loving him. Derek's plans are sabotaged when the evil Jacque pushes the envelope and attacks Emily's father. In the midst of turmoil will Emily see Derek as a monster or take him as her lover
Derek Tribe
Biography
John Derek
Actor and director John Derek was born in Hollywood, where his striking good looks helped get him a contract with David O' Selznick. Derek's career took off after Humphrey Bogart made him his costar in the cultish noir Knock at Any Doors. Derek appeared in such Academy Award-nominated films as All the King's Men, Run for Cover, The Ten Commandments and Exodus, and worked with directors like Nicholas Ray, Cecil B. DeMille, Otto Preminger and others. He was a competent, dedicated performer even in his last, trivial roles. In the 1960s, his career in decline, he began directing his own films. Although critics panned the string of movies he made starring his three wives--Ursula Andress, Linda Evans and Bo Derek--some were box-office hits, like Tarzan, the Ape Man. This biography covers his extraordinary life and career, with extensive analysis of his films.
Derek Walcott's Encounter with Homer
Derek Walcott's Encounter with Homer puts Derek Walcott's epic poem Omeros in conversation with Homer, especially the Odyssey, to show how reading them against each other changes our understanding of the poems of both poets. It explores Walcott's conscious use of the Odyssey and the Homeric persona of Omeros to explore his own deepening relationship with his craft and his identity as a Caribbean poet. Walcott's ability to serve as the vessel of history for his people and their landscapes rests on his transformation into (and self-perception as) Homer's contemporary and equal. Central to the project of Omeros is thus an account of his shift from a diachronic to synchronic relationship with Ho...
Derek Mahon: A Retrospective
Derek Mahon (1941–2020) is widely recognized as one of the most important Irish poets of his generation. This collection of new critical essays offers an important retrospective assessment of the nature of his poetic achievement. Bringing together many leading scholars of modern and contemporary Irish poetry, including a notable number of accomplished poet-critics, its contributors range widely across Mahon’s body of work. Their essays offer fresh considerations of the biographical, geographical and literary contexts that shaped his poetic voice. This includes paying attention not only to more familiar influences but also to previously little considered interlocutors. The stylistic and f...
Critical Perspectives on Derek Walcott
The articles in this collection are representative of the criticism that has followed Walcott's career from the 1940s into the 1990s. Ten entries by Walcott himself (including one not previously published and two vital interviews) are complemented by some 40 incisive essays and reviews, ranging from professional assessments to the rare, personal observations of Walcott's earliest mentors.
