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Deborah Kerr
Blessed with a natural beauty, Scotland-born actress Deborah Kerr (1921-2007) provided the cinema with memorable studies of English gentility. A star in British pictures before she was 21 and a Hollywood fixture from 1946 on, she projected a cool reserve and stoic nobility, often hinting at passion and insecurity beneath the surface. Frequently portraying selfless, sympathetic women, she was brilliant in such roles as Anna Leonowens in The King and I (1956). And in a fascinating departure from her normal range, her portrayal of the sexually frustrated Army wife in From Here to Eternity (1953) resulted in the screen's most famous "clinch"--the beach scene with Burt Lancaster. Though she never won an Academy Award despite six nominations, Deborah Kerr received an honorary Oscar in 1994.
Montgomery Clift
At the peak of his career in the 1950s, Montgomery Clift was the symbol of a very talented yet rebellious generation of movie stars. His acting combined the personal and the professional, and his seventeen movies show his superb craft and extraordinary sensitivity. Yet there was much more to his life than his talents as an actor--more than most people knew. This book is a biography of the extremely handsome, acutely intelligent, but tormented Montgomery Clift. His life has been described as "the longest suicide in the history of Hollywood," and this biography shows the accuracy of that description. It covers Clift's sheltered childhood, his discovery at the age of 12, the early critical accl...
William Holden
William Holden was a Hollywood star whose career spanned four decades, more than 70 films and three Academy Award nominations. "Golden Holden" won an Oscar for his role in Stalag 17 and, after films like Sunset Blvd., he became one of Hollywood's most powerful stars in the late 1950s. His personal life included international adventures and romances with such stars as Audrey Hepburn and Grace Kelly, yet he suffered from alcoholism and clinical depression. This biography covers his entire life and career, from boyhood through his greatest successes, short decline, re-emergence in The Wild Bunch, and his legacy of support for African wildlife.
Yul Brynner
Known as the bald cowboy in The Magnificent Seven and the sexy, charismatic male lead in The King and I, Yul Brynner was a Hollywood paragon of masculinity. Beyond his distinctive appearance and distinguished acting career was a life of intrigue and concocted tales surrounding his youth. Born Youl Bryner in Russia, he played gypsy guitar and worked as a trapeze clown until a severe injury motivated him to pursue his interest in theater. This biography takes readers through Brynner’s formative years in Russia, France and China and describes his journey from sweeping stages in Parisian theaters to a versatile career in theater, television and film, reaching a stardom that began and ended with the classic Rodgers and Hammerstein musical The King and I. With accounts of his personal and professional successes and failures, the book includes his four marriages, his numerous and notorious affairs with such stars as Judy Garland, Joan Crawford and Ingrid Bergman, and his 1985 death from lung cancer. A filmography details his movies and plays, and appendices outline his work in documentaries, music and soundtracks, radio programs and television.
Vivien Leigh
"Scarlett O'Hara was not beautiful, but men seldom realized it when caught by her charm" Margaret Mitchell opened Gone with the Wind with this description of Scarlett O'Hara, but her words can hardly be applied to Vivien Leigh, the British actress who gave an unforgettable performance as the Southern belle. Leigh possessed a beauty that men seldom failed to recognize and a charm that caught many, but her life was far from being all beauty and charm. This biography of the beautiful and tortured actress, from her birth and childhood in exotic India to her premature death in 1967, gives special attention to her development and career as a stage and film actress (which culminated in one Tony award and two Oscars). Her ambitious personality and her manic-depressive illness, including the sexual compulsion that haunted her life, her romantic and tragic marriage to Laurence Olivier, and her performances in, for instance, Gone with the Wind and A Streetcar Named Desire, are all detailed.
Janet Leigh
For the first decade of her career Leigh appeared as the stereotypical "nice girl." She was cast opposite some of the industry's biggest names including Robert Mitchum in Holiday Affair, Stewart Granger in Scaramouche, James Stewart in The Naked Spur, and Charlton Heston in Touch of Evil. Alfred Hitchcock's Psycho supplied her most memorable role: Marion Crane, who is murdered before the picture is half over. The part earned Leigh an Academy Award nomination. From 1951 to 1962, Leigh was married to favorite co-star Tony Curtis. They had two daughters, Kelly and Jamie Lee Curtis, both of whom followed in their parents' professional footsteps. This book reveals and reflects upon Janet Leigh's life and career and also extensively analyzes her films and television appearances.
Anatole Litvak
During his 40-year career, director-producer Anatole Litvak (1902-1974) made films of all genres in Russia, Germany, England, France and the United States. His rootless background was cited by critics lamenting his lack of consistent style, but it also added to his mystique as a chameleon-like realisateur. Litvak directed Hollywood greats like Edward G. Robinson, John Garfield, Kirk Douglas, Ingrid Bergman, Vivien Leigh, Sophia Loren, Anthony Perkins, Olivia de Havilland, Yul Brynner, Burt Lancaster, Barbara Stanwick and many others. He was twice nominated for Best Director by the Academy of Motion Picture Art and Sciences for The Snake Pit (1948) and for Decision Before Dawn (1951). These f...
John Derek
Actor and director John Derek was born in Hollywood, where his striking good looks helped get him a contract with David O' Selznick. Derek's career took off after Humphrey Bogart made him his costar in the cultish noir Knock at Any Doors. Derek appeared in such Academy Award-nominated films as All the King's Men, Run for Cover, The Ten Commandments and Exodus, and worked with directors like Nicholas Ray, Cecil B. DeMille, Otto Preminger and others. He was a competent, dedicated performer even in his last, trivial roles. In the 1960s, his career in decline, he began directing his own films. Although critics panned the string of movies he made starring his three wives--Ursula Andress, Linda Evans and Bo Derek--some were box-office hits, like Tarzan, the Ape Man. This biography covers his extraordinary life and career, with extensive analysis of his films.
Jean Negulesco
Originally a successful painter from Romania, Jean Negulesco worked in Hollywood first as an art director, then as a second unit director. He was later hired as a director by various studios--mostly for ballet and musical shorts--before being assigned to a number of commercially successful films. During his 30-year career, he worked in several European countries yet it was in the U.S. he achieved his greatest success, with Warner Brothers and 20th Century Fox. Dubbed "The Prince of Melodrama" by critics, he directed films of all genres, working with stars like Joan Crawford, John Garfield, Marilyn Monroe, Lauren Bacall, Bette Davis, Richard Burton, Alec Guinness, Fred Astaire and many others. Negulesco was nominated for Best Director by the Academy of Motion Picture Arts and Sciences in 1948 for Johnny Belinda--now considered a classic, along with his The Mask of Dimitrios (1944), Humoresque (1946), How to Marry a Millionaire (1953) and Three Coins in the Fountain (1954). This book--the first on him since his 1984 autobiography--covers his extraordinary life and career, with extensive analyses of his films.
The Making of The Magnificent Seven
The story behind The Magnificent Seven could have been a movie in itself. It had everything--actors' strike, writers' strike, Mexican government interference and a row between the screenwriters that left one removing his name from the credits, all under the lingering gloom of post-McCarthy era Hollywood. A flop on release, it later became a box office hit. This book tells the behind-the-scenes story: how Yul Brynner became the biggest independent producer in Hollywood; why John Sturges was not the first choice after Brynner surrendered the director's chair; why Sturges quit; the truth about the Mirisch Company (producers); the details of the film's botched release and unlikely redemption; the creation of Elmer Bernstein's classic score; and how internecine fighting prevented the making of the television series in 1963. Myths about Steve McQueen, his feud with Brynner and the scene-stealing antics of the cast are debunked. A close examination of the various screenplay drafts and the writers' source material--Akira Kurosawa's Seven Samurai--shows who wrote what. Extensive analysis of Sturges' directorial work is provided.
