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The Film Book
Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.
Masters of Light
Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. This reissue includes a new foreword by cinematographer John Bailey and a new preface by the authors, which bring this classic guide to cinematography, in print for more than twenty-five years, into the twenty-first century.
Politica de Desarrollo Agricola
Los principales temas tratados en esta publicacion incluyen el papel de la agricultura en el desarrollo economico; los objetivos y los instrumentos de la politica agricola; las vinculaciones entre politica macroeconomica y politicas sectoriales; las politicas relacionadas con los precios agricolas; el papel de los gobiernos en el desarrollo agricola; los aspectos de genero; las politicas de lucha contra la pobreza; las politicas de tenencia de la tierra y de ordenacion de aguas; las estrategias de desarrollo agricola, y asuntos relativos al desarrollo rural. Esta publicacion podra ser util como material para cursos academicos, programas de capacitacion y actividades de autocapacitacion en desarrollo economico y agricola; podra servir para el diseno de politicas economicas y agricolas y de gestion de recursos naturales, y para facilitar la comprension de diversos otros temas agricolas especializados. Podra servir tambien como material de consulta para los responsables de la adopcion de politicas agricolas y rurales, y para los profesionales e investigadores interesados en los temas mencionados."
The Film Encyclopedia
“Wow! What a book!” — Katharine Hepburn “Recommended for any reference collection in need of a world view of film.” — Booklist “The best movie reference book, hands down.” — Newsweek
The Maternal Imagination of Film and Film Theory
This book challenges common sense understandings of the unconscious effects of cinema and visual culture. It explores the castrating power of the early modern witch and the historical belief that pregnant women could manipulate and distort body image as figurative analogies for feminist theories of objectification and the male gaze. Through developing this history as an impure but lively analogy, this book serves as a provocation against the dominant imagining of objectification. It offers innovative analyses of a wide-ranging selection of films and topics including Joyce Wieland’s Water Sark (1964) and its resonance with the works of John Cage and Stan Brakhage; the documentary Histoires d’A (History of Abortion, 1973), which contributed to the successful legalisation of abortion in France; the Hong Kong horror film Dumplings (Jiaozi, 餃子 2004), where foetal cannibalism serves up an image of censorship; and the dual productions The Book of Mary (Le livre de Marie) and Hail Mary (Je vous salue, Marie, 1985) by Anne-Marie Miéville and Jean-Luc Godard that figure a self-reproducing virgin who hears herself while remaining a virgin, unseen.
Miracle
Anne Geddes' photographs of Celine Dion with newborn infants.
