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What Noise Against the Cane
The 115th volume of the Yale Series of Younger Poets is a lyrical and polyvocal exploration of what it means to fight for yourself “Bailey invites us to see what twenty-first-century life is like for a young woman of the Black diaspora in the long wake of a history of slavery, brutality, and struggling for freedoms bodily and psychological.” —Carl Phillips, from the Foreword The 115th volume of the Yale Series of Younger Poets, What Noise Against the Cane is a lyric quest for belonging and freedom, weaving political resistance, Caribbean folklore, immigration, and the realities of Black life in America. Desiree C. Bailey begins by reworking the epic in an oceanic narrative of bondage and liberation in the midst of the Haitian Revolution. The poems move into the contemporary Black diaspora, probing the mythologies of home, belief, nation, and womanhood. Series judge Carl Phillips observes that Bailey’s “poems argue for hope and faith equally. . . . These are powerful poems, indeed, and they make a persuasive argument for the transformative powers of steady defiance.”
What Noise Against the Cane
The 115th volume of the Yale Series of Younger Poets is a lyrical and polyvocal exploration of what it means to fight for yourself “Bailey invites us to see what twenty-first-century life is like for a young woman of the Black diaspora in the long wake of a history of slavery, brutality, and struggling for freedoms bodily and psychological.” —Carl Phillips, from the Foreword The 115th volume of the Yale Series of Younger Poets, What Noise Against the Cane is a lyric quest for belonging and freedom, weaving political resistance, Caribbean folklore, immigration, and the realities of Black life in America. Desiree C. Bailey begins by reworking the epic in an oceanic narrative of bondage and liberation in the midst of the Haitian Revolution. The poems move into the contemporary Black diaspora, probing the mythologies of home, belief, nation, and womanhood. Series judge Carl Phillips observes that Bailey’s “poems argue for hope and faith equally. . . . These are powerful poems, indeed, and they make a persuasive argument for the transformative powers of steady defiance.”
Cutlish
"Rajiv Mohabir's Cutlish uses history to interrogate the word "home" and all that it might mean to those who thrive in spite of homophobia, stereotype, and xenophobia. These poems are grounded in definite time and space in a voice that refuses to be silenced, "They are vexed you survive; that you/rise up from the pavement..." But what I love most is read a poet as disciplined and committed as Mohabir as he transforms and reinvents himself in tone, in subject, and in line: "Let's get one thing queer-I'm no Sabu-like sidekick,/I'm the main drag. Ram Ram in a sari; salaam//on the street. I don't speak Hindu, Paki, or Indian,/can't control minds, have no psychic powers." Jericho Brown Cutlish, R...
One World Two
One World Two is the eagerly awaited follow-up to One World and another globe-trotting collection of stories. But it is more than simply an anthology of short fiction, as it contains representative literature from all over the world, conveying the reader on thought-provoking journeys across continents, cultures and landscapes. One World Two is even more ambitious than Volume One in its geographic scope, featuring twenty-one writers drawn from every continent. Most of the stories are unique to this volume, while others are appearing for the first time in English (Egypt's Mansoura Ez-Eldin and Brazil's Vanessa Barbara). The themes and writing styles are as richly diverse as their writers' orig...
Earth Room
Selected by Nobel Laureate Louise Glück as Winner of the inaugural Bergman Prize, Rachel Mannheimer's debut, Earth Room, is a dazzling book-length narrative poem that explores with tenderness how art and love intersect to make one's life. Transporting the reader across decades and from the Moon to Mars by way of Alaska, Berlin, and the Hudson Valley, Earth Room considers a lineage of sculpture, performance, and land art--from Robert Smithson to Pina Bausch--with observations shaped by gender and environment, history and portents of apocalypse. With an urgent, direct, and unmistakably powerful voice, Mannheimer tests the line between nature and culture, ordinary life and performance. A work of sly wit and bracing sincerity, Earth Room is an original, unsparing book that Louise Glück calls "a lesson in how to make something of where we find ourselves."
Mothman Apologia
This volume of the Yale Series of Younger Poets explores love, grief, the opioid epidemic, and coming of age "Elegiac and witty."--Elisa Gabbert, New York Times, "The Best Poetry of 2022" "These poems name the hurt wrought upon the meek that makes the elegy, here, as much an exaltation of the living as a mournful dirge for the land."--Major Jackson, Vanderbilt University The 116th volume of the Yale Series of Younger Poets, Robert Wood Lynn's collection of poems explores the tensions of youth and the saturation points of knowledge: those moments when the acquisition of understanding overlaps with regret and becomes a desire to know less. Comprising poems of place set across the Virginias, this collection includes an episodic elegy exploring the opioid crisis in the Shenandoah Valley as well as a separate series of persona poems reimagining the Mothman (West Virginia's famed cryptid) reluctantly coming of age in that state's mountains and struggling with the utility of warnings. These are narrative poems of love and grief, built from a storytelling tradition. Taken together they form an arc encompassing the experience of growing up, looking away, and looking back.
Good Bones
Featuring “Good Bones”—called “Official Poem of 2016” by the BBC/Public Radio International. Maggie Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they've just opened, knowing nothing of the characters or plot. These are poems that stare down darkness while cultivating and sustaining possibility, poems that have a sense of moral gravitas, personal urgency, and the ability to address a larger world. Maggie Smith's previous books are The Well Speaks of Its Own Poison (Tupelo, 2015), Lamp of the Body (Red Hen, 2005), and three prize-winning chapbooks: Disasterology (Dream Horse, 2016), The List of Dangers (Kent State,...
Blessing the Boats
Overview: Winner of the 2000 National Book Award for Poetry, Blessing the Boats: New and Selected Poems 1988-2000 is the culminating achievement of Lucille's Clifton longstanding poetry career. This long-awaited collection by one of the most distinguished poets writing today includes poems written during the past four years as well as generous selections from Lucille Clifton's award-winning collections Next: New Poems, Quilting and The Terrible Stories. Clifton employs brilliantly honed language, stunning images and sharp rhythms to address the whole of human experience. Hers is a poetry that is passionate and wise, not afraid to confront our most salient issues.
The Math of Saint Felix
Poetry. African & African American Studies. Women's Studies. Diane Exavier's book-length lyric is an attempt to do the math of a woman, of a family, of a country, of a diaspora. The sum of one life reveals the permutations of many: daughters, sisters, lovers. The cost of one death is uncountable. Exavier's voice has the heart-stilling gravity of a weary prophet. With THE MATH OF SAINT FELIX, she has continued the work of generations. This book is ledger and legacy.
Seeing the Body: Poems
Nominee for the 2021 NAACP Image Award in Poetry An elegiac and moving meditation on the ways in which we witness "bodies" of grief and healing. Poems and photographs collide in this intimate collection, challenging the invisible, indefinable ways mourning takes up residence in a body, both before and after life-altering loss. In radiant poems—set against the evocative and desperate backdrop of contemporary events, pop culture, and politics—Rachel Eliza Griffiths reckons with her mother’s death, aging, authority, art, black womanhood, memory, and the American imagination. The poems take shape in the space where public and private mourning converge, finding there magic and music alongsi...
