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Fundamentals of Biochemistry, 6th Edition, with new author team Destin Heilman and Stephen Woski, is fully updated for focus, readability, and currency. This revision provides students with a solid biochemical foundation rooted in chemistry and prepares them for future scientific challenges. Its pedagogical focus remains on biochemistry's key theme: the relationship between structure/function. The text’s foundation demonstrates the relationships between the monomeric units (amino acids, monosaccharides, nucleotides, and fatty acids) and the biomolecular structures they form. The new authors continue the trusted pedagogy of the previous five editions and present approachable, balanced coverage relevant to human health and disease. Fundamentals of Biochemistry 6e includes new, stunning, and enhanced visuals and new measurable learning objectives in each chapter section that offer a practical pathway for student learning and understanding.
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The first guide to focus exclusively on 22 of Florida's best beaches--with information about restaurants and accommodations, beach facilities, and special activities in neighboring areas. Covers price ranges, baby-sitting services, children's activities, picnic areas, restrooms, snack bars, boat rentals, and more. Map.
The author draws upon the methodologies of theater and cultural studies to examine the construction of "the Orient" on the Parisian stage during the nineteenth century, the period of France's first imperial expansions into North Africa and the Middle East. As an increasingly large segment of the French population moved into contact with the Middle East and North Africa as soldiers, colonial administrators, settlers, and merchants, the balance between fantasy and immediacy in Orientalized drama shifted. The domestic melodrama gave way to elaborately staged military spectacles based on current events. Performed before working-class audiences, many of whose members were to be called up for military service, these spectacles bore explicit political and imperial agendas. Mining rich archival resources of play-texts, censorship reports, critical reviews, and contemporary writings on performance practice, this book reveals the complex processes by which the institutions of popular culture helped shape nineteenth-century notions of race, ethnicity, and nationality.