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1968: The World Transformed presents a global perspective on the tumultuous events of the most crucial year in the era of the Cold War. By interpreting 1968 as a transnational phenomenon, authors from Europe and the United States explain why the crises of 1968 erupted almost simultaneously throughout the world. Together, the eighteen chapters provide an interdisciplinary and comparative approach to the rise and fall of protest movements worldwide. The book represents an effort to integrate international relations, the role of media, and the cross-cultural exchange of people and ideas into the history of that year. 1968 emerges as a global phenomenon because of the linkages between domestic and international affairs, the powerful influence of the media, the networks of communication among activists, and the shared opposition to the domestic and international status quo in the name of freedom and self-determination.
Published in Association with the German Historical Institute, Washington, D.C. Based on careful, intensive research in primary sources, many of these essays break new ground in our understanding of a crucial and tumultuous period. The contributors, drawn from both sides of the Atlantic, offer an in-depth analysis of how the collective memory of Nazism and the Holocaust influenced, and was influenced by, politics and culture in West Germany in the 1960s. The contributions address a wide variety of issues, including prosecution for war crimes, restitution, immigration policy, health policy, reform of the police, German relations with Israel and the United States, nuclear non-proliferation, and, of course, student politics and the New Left protest movement.
The notion of an American Century has fallen out of favor in recent years—historians prefer to focus on the United States as part of a transatlantic community. The contributors to this volume edited by R. Laurence Moore and Maurizio Vaudagna seek to understand how the exercise of American power was in crucial ways shaped and limited by the historic ties of the United States to Europe. They evaluate the impact of the "American Century" (as publisher Henry R. Luce named it in 1941) from Woodrow Wilson's dream of a new world order, to Cold War economic policies, to more recent American cultural imperialism and its immediate descendent, American-led globalization.The American Century in Europe...
This 1997 book analyses how German and American views of each other developed, providing a fresh analysis of an often complex relationship.
Abandoning the usual Cold War–oriented narrative of postwar European protest and opposition movements, this volume offers an innovative, interdisciplinary, and comprehensive perspective on two decades of protest and social upheaval in postwar Europe. It examines the mutual influences and interactions among dissenters in Western Europe, the Warsaw Pact countries, and the nonaligned European countries, and shows how ideological and political developments in the East and West were interconnected through official state or party channels as well as a variety of private and clandestine contacts. Focusing on issues arising from the cross-cultural transfer of ideas, the adjustments to institutional and political frameworks, and the role of the media in staging protest, the volume examines the romanticized attitude of Western activists to violent liberation movements in the Third World and the idolization of imprisoned RAF members as martyrs among left-wing circles across Western Europe.
Focusing on the German effort to rehabilitate its international reputation in the wake of the Holocaust, this study examines German-American relations from the 1970s through 1990.
A concise reference for researchers on the protest movements of the 1960s and 1970s, this book covers the history of the various national protest movements, the transnational aspects of these movements, and the common narratives and cultures of memory surrounding them.
This book is the first comprehensive study of the setting up and early development of the NATO Committee on the Challenges of Modern Society (CCMS), or the alliance’s environmental programme. This expansion of allied cooperation is an interesting indicator of transatlantic relations during an era of transition and under the impact of Richard Nixon and Henry Kissinger’s diplomacy. The book discusses intra-NATO politics, the projects of the early years and the participation in CCMS projects of non-NATO countries – an unusual feature in the activity of a military alliance. Environmental cooperation in NATO was part of the changes which scientific cooperation was effecting in the international system during the entry into the post-industrial era. The making of the CCMS is the story of a crisis of adjustment to the new era, of hiccups in transatlantic relationships, but ultimately also a story of transatlantic unity. The book will be of much interest to students of NATO, the Cold War, international and environmental history, history of science and international relations.
Germans and African Americans, unlike other works on African Americans in Europe, examines the relationship between African Americans and one country, Germany, in great depth. Germans and African Americans encountered one another within the context of their national identities and group experiences. In the nineteenth century, German immigrants to America and to such communities as Charleston and Cincinnati interacted within the boundaries of their old-world experiences and ideas and within surrounding regional notions of a nation fracturing over slavery. In the post-Civil War era in America through the Weimar era, Germany became a place to which African American entertainers, travelers, and ...
This book challenges the perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. In her transnational and interdisciplinary study, Dossin analyses changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors.