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Bond Plays: 5
One of Britain's greatest living contemporary dramatists, Edward Bond is widely studied by schools and colleges. The collection includes a commentary by the author. The Bundle - "A complex and marvellously written play" (The Times); Jackets - "An astonishingly powerful piece of political, polemic poetry" (Guardian); Human Cannon charts the struggle against Fascism in Spain through the stories of the village community of Estarobon; In the Company of Men, a vivid and coruscating attack on the values encapsulated by boardroom power games, was described by the RSC as "a vast meditation on the twenty-first century."Edward Bond "is one of the two or three major playwrights - and arguably the only one - to emerge since the fifties" (Observer)
Remaking Chinese Cinema
From melodrama to Cantonese opera, from silents to 3D animated film, Remaking Chinese Cinema traces cross-Pacific film remaking over the last eight decades. Through the refractive prism of Hollywood, Shanghai, and Hong Kong, Yiman Wang revolutionizes our understanding of Chinese cinema as national cinema. Against the diffusion model of national cinema spreading from a central point—Shanghai in the Chinese case—she argues for a multilocal process of co-constitution and reconstitution. In this spirit, Wang analyzes how southern Chinese cinema (huanan dianying) morphed into Hong Kong cinema through transregional and trans-national interactions that also produced a vision of Chinese cinema. ...
Konfuzianisches Ethos und westliche Wissenschaft
This study in German offers profound insights into the life and thoughts of Wang Guowei (1877-1927). Like many intellectuals who strongly perceived the necessity of reforms in the waning years of the Late Qing dynasty, i.e. after the Opium wars, Wang sought to strengthen China's position against foreign, in particular Western, powers. Contrary to earlier approaches, which either advocated a close adherence to Confucian traditions or tried to adapt only elements of Western material culture, mainly industrial and military technology, Wang Guowei aimed at reviving traditional Chinese culture by analysing its source texts using a modern scientific approach (and thereby started the discipline of guoxue [national studies]) and simultaneously adapting compatible elements of Western immaterial culture. Thus, Wang became known as an authority on Chinese paleography as well as on German philosophy, especially Kantian epistomology.
The Concubine's Daughter
The Concubine's Daughter is a snapshot of a bygone era, depicting life in the British colony of Hong Kong in the fifties and sixties. It is the story Elizabeth Lee, beautiful, intelligent, and liberated, from the time she is a wide-eyed eighteen year-old studying English Literature at the University of Hong Kong, sharing girlish secrets with her two best friends, to her becoming an academic at the University, to just after her thirtieth birthday, when she leaves Hong Kong with her husband and young son for the US, frightened in part by the riots inspired by the Cultural Revolution taking place across the border in mainland China. After twenty years in the US she returns to Hong Kong in 1986,...
Ancient and Early Medieval Chinese Literature (vol. 2)
At last here is the long-awaited, first Western-language reference guide focusing exclusively on Chinese literature from ca. 700 B.C.E. to the early seventh century C.E. Alphabetically organized, it contains no less than 1095 entries on major and minor writers, literary forms and "schools," and important Chinese literary terms. In addition to providing authoritative information about each subject, the compilers have taken meticulous care to include detailed, up-to-date bibliographies and source information. The reader will find it a treasure-trove of historical accounts, especially when browsing through the biographies of authors. Indispensable for scholars and students of pre-modern Chinese literature, history, and thought. Part Two contains S to Xi.
Prisoners of the Cave
In The Allegory of the Cave, Plato describes a group of people who have been chained in a cave all their lives, facing a blank wall. They watch shadows projected on the wall from objects passing in front of a fire behind them, and they give names to these shadows. Although they are not accurate representations of the world, these shadows become the prisoners' reality. One prisoner is freed from the cave and, after seeing the natural world, realizes that the shadows are an illusion. He returns to the cave and tells the other prisoner what he has seen. The prisoners of the cave, however, who know only this life would rather see him die than hear the truth, and they sentence him to death. This ...
The Past and the Punishments
To travel through these stories is to cross a landscape of stunning beauty and terrific cruelty, where expectations are subverted, where moral certainties are shattered, where gorgeously wrought surfaces beguile at the same time that acts of incredible brutality horrify. It is no wonder that Yu Hua’s stories caused a sensation when they first appeared in the 1980s. His work represents a sophisticated and often disturbing revolution in the Chinese literary tradition, reminiscent of the fiction of modernists like Kafka, Kawabata, Borges, and Robbe-Grillet, but drawing inspiration from several strains of traditional Chinese narrative as well. This is the first collection of short fiction by Yu Hua to appear in English. It takes us on a haunting and harrowing journey from classical China through the Cultural Revolution and into the new era of economic reform, exploding along the way our preconceived notions of what Chinese literature and culture are all about in the 1990s.
Alfred Döblin
Döblin’s texts, which range widely across contemporary discourses, are paradigms of the encounter between literary and scientific modernity. With their use of ‛Tatsachenphantasie’, they explode conventional language, seeking a new connection with the world of objects and things. This volume reassesses and reevaluates the uniquely interdisciplinary quality of Döblin’s interdiscursive, factually-inspired poetics by offering challenging new perspectives on key works. The volume analyses not only some of Döblin’s best-known novels and stories, but also neglected works including his early medical essays, political journalism and autobiographical texts. Other topics addressed are Döblin’s engagement with German history; his relation to medical discourse; his topography of Berlin; his aestheticisation of his own biography and his relation to other major writers such as Heine, Benn, Brecht and Sebald. With contributions in English and in German by scholars from Germany and the United Kingdom, the volume presents insights into Döblin that are of value to advanced researchers and to students alike.
