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Digital Images for the Information Professional
In the past decade, the way image based media is created, disseminated, and shared has changed exponentially, as digital imaging technology has replaced traditional film based media. Digital images have become the pervasive photographic medium of choice for the general public. Most libraries, archives, museums, and galleries have undertaken some type of digitisation program: converting their holdings into two dimensional digital images which are available for the general user via the Internet. This raises issues for those aiming to facilitate the creation and preservation of digital images whilst supplying and improving user access to image based material. Digital Images for the Information ...
Digital Images and Human Vision
These fifteen contributions by distinguished vision and imaging scientists explore the role of human vision in the design of modem image communication systems. A dominant theme in the book is image compression—how compression algorithms can be designed to make best use of what we know about human vision. Electronic image communications, which encompass television, high-definition television, teleconferencing, multimedia, digital photography, desktop publishing, and digital movies, is a rapidly growing segment of technology and business. Because these products and technologies are designed for human viewing, knowledge of human perception is essential to optimal design. This book provides a ...
Digital Image Capture and File Storage
The silver-based emulsion and chemical process used successfully for many years for the capture and storage of images has now largely been superseded by the introduction of digital technology. The widespread use of digital cameras among imaging professionals, archaeologists and the general public has created a vast array of digital information. If this information is to be of use now and for future generations, it requires the application of a systematic approach to how it is captured and stored. Digital technology is still in its infancy compared with the long-established technique of using silver-based emulsions on glass plate or film to produce images that have, with suitable development ...
Mathematics of Digital Images
Compression, restoration and recognition are three of the key components of digital imaging. The mathematics needed to understand and carry out all these components are explained here in a style that is at once rigorous and practical with many worked examples, exercises with solutions, pseudocode, and sample calculations on images. The introduction lists fast tracks to special topics such as Principal Component Analysis, and ways into and through the book, which abounds with illustrations. The first part describes plane geometry and pattern-generating symmetries, along with some on 3D rotation and reflection matrices. Subsequent chapters cover vectors, matrices and probability. These are applied to simulation, Bayesian methods, Shannon's information theory, compression, filtering and tomography. The book will be suited for advanced courses or for self-study. It will appeal to all those working in biomedical imaging and diagnosis, computer graphics, machine vision, remote sensing, image processing and information theory and its applications.
Diffracting Digital Images
The authors of this book take a critical look at the practice and techniques of digital imaging from the stance of digital archaeologists, cultural heritage practitioners and digital artists.
Fundamentals of Digital Imaging
The multi-billion dollar industry of digital imaging technology is an active research area with applications in our everyday lives in products such as digital cameras, scanners, printers and display systems. This book presents an introduction to the fundamentals of digital imaging, with emphasis on the basic operations of image capture and display of monochrome and colour images. The authors balance the mathematical description of real problems with practical examples. With a colour-plate section and real-world applications, this book is suitable for graduate students taking courses in digital imaging in electrical engineering and computer science departments. It will also be a useful reference for practitioners in industry.
Handbook of Digital Imaging
A comprehensive and practical analysis and overview of the imaging chain through acquisition, processing and display The Handbook of Digital Imaging provides a coherent overview of the imaging science amalgam, focusing on the capture, storage and display of images. The volumes are arranged thematically to provide a seamless analysis of the imaging chain from source (image acquisition) to destination (image print/display). The coverage is planned to have a very practical orientation to provide a comprehensive source of information for practicing engineers designing and developing modern digital imaging systems. The content will be drawn from all aspects of digital imaging including optics, se...
Topology of Digital Images
This book carries forward recent work on visual patterns and structures in digital images and introduces a near set-based a topology of digital images. Visual patterns arise naturally in digital images viewed as sets of non-abstract points endowed with some form of proximity (nearness) relation. Proximity relations make it possible to construct uniform topologies on the sets of points that constitute a digital image. In keeping with an interest in gaining an understanding of digital images themselves as a rich source of patterns, this book introduces the basics of digital images from a computer vision perspective. In parallel with a computer vision perspective on digital images, this book al...
The Law of Photography and Digital Images
"The Law of Photography and Digital Images" provides in a single volume a text for legal practitioners covering all areas of law relevant to photography. It combines coverage of core topics, such as copyright and passing off with those where the law remains grey and relatively untested, such as the internet and implications of the Human Rights Act 1998. The work is divided into three parts - Rights in the Image, Place and Subject Matter of Photographs, and Use of Photographs. Topics covered include moral rights, trade marks, reporting restrictions, privacy, trespass, harassment, obscenity and data protection. There is detailed consideration of problems specific to photographs within each area of law together with an overview of the general principles. There is also detailed consideration of decisions of the Press Complaints Commission and the Advertising Standards Authority.
The Art of Digital Photography
Need inspiration? Get the best out of your equipment and explore your creative side with this practical guide Still life or action, portrait or abstract – whatever your subject, discover how to take amazing digital images with expert photographer and inspiring teacher, John Hedgecoe. Learn the fundamentals of composing an image – from lighting, camera angle, drama, colour, time of day, style to subject matter. Get the most out of your camera, so whatever moment you are capturing: from stunning landscapes, action-packed sport, beautiful weddings to playful children you’ll be picture perfect again and again. We'll show you what others only tell. Enjoy 500 breathtaking photos and learn how to take great pictures every time.
