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This book offers the first interdisciplinary and in-depth study of the cultural practices and ideological paradigms that conditioned the politics of the "reading" of Sappho's songs in the early and most pivotal stages of her reception. In this wide-ranging synthesis, Dimitrios Yatromanolakis investigates visual representations and ancient texts in their synchronic and diachronic multilayeredness to trace the discursive nexuses that defined the making of "Sappho" in the late archaic, classical, and early Hellenistic periods. Offering a systematic analysis of the contextual cues provided by vase paintings and focusing on the sociocultural institution of the symposion, this book explores the intricate modes of the assimilation of Sappho's poetry into diverse social, aesthetic, and performative contexts. Drawing on a number of disciplines, including archaeology, papyrology, and anthropology, Sappho in the Making articulates a new methodological Problematik on the reception of archaic Greek socioaesthetic cultures.
Offering readings of the pivotal role of ritual in Greek traditions by exploring a broad spectrum of texts, art and social practices, this work examines diverse material that ranges from the Homeric epics up to contemporary Greece, through the intervening millennium of Byzantium.
This title is the first part of a three-volume set that focuses on the intriguing but often underexplored interaction between music and song-making and practices of cultural politics.
Yatromanolakis examines the complex, at times contradictory, responses to ancient Greece in Greek and broader Western European modernism. Exploring the dynamics of ruination and the reconfiguration of fundamental icons of ancient mythology in surrealism, the author shows that Greek antiquity was an integral constituent of avant-garde myth-making.
Margaret Alexiou's The Ritual Lament in Greek Tradition, first published in 1974, has long since been established as a classic in several fields. This is the only generic and diachronic study of learned and popular lament and its socio-cultural contexts throughout Greek tradition in which a great diversity of sources are integrated to offer a comprehensive and penetrating synthesis. Its interdisciplinary orientation and broad scope have rendered The Ritual Lament in Greek Tradition an indispensable reference work for classicists, byzantinists, neohellenists, folklorists, and anthropologists. Now a second edition, revised by Dimitrios Yatromanolakis and Panagiotis Roilos, has been made available. This new edition also includes a valuable up-to-date bibliography on ritual lament and death in Greek culture.
How can we read the intricacies of figural representations painted on pottery? Such a hermeneutic progress depends on our broader understanding of ancient Greek visual signes and languages, as well as on the methodological strategies we consturct and apply to our analyses. Exploring diverse mehtodologies, adopted or advanced in older as well as in more recent interdisciplinary research on ancient Greek vases, An Archaeology of Representaions: Ancient Greek Vase-Painting and Contermporary Methodosogies offers original approaches to vase-paintings of archaic and classical Greece, with an emphasis on the semiotics of ancient modes of representation. Written by an internatinal group of eminent scholars, the essays in this book address methodological questions and propose wie-ranging interpretive arguments for the study of a large number of images from the rich and complex corpus of ancient Gree vase-painting.
This collection examines major Greek authors from the early 19th century through the present day, spanning from romantic to post-modern authors, poets, and playwrights. The essays focus on intersections between oral and written traditions in nineteenth and twentieth century Greece. Major authors discussed included Solomos, Vizyenos, Papadiamantis, Seferis, and many others.
Ancient Greek vase-paintings offer broad-ranging and unprecedented early perspectives on the often intricate interplay of images and texts. This book investigates both epigraphic technicalities of Attic and non-Attic inscriptions, and their broader, iconographic and sociocultural, significance.
Representing the beginnings of womenâe(tm)s poetry in European cultures, Sapphoâe(tm)s songs have become an influential and complex sociopolitical paradigm related to female same-sex intimacy in modern eras. The first large-scale commentary in English in the last fifty years, this book fills a major gap in research on archaic Greece and provides interdisciplinary introductory studies and comprehensive commentary on major fragments of Sappho. The book pays special attention to contextualization cues reflected in the fragments, exploring the texts not only as works of literature with a particularly intricate history of ancient reception, but especiallyâe"as intended in the earlier stages of their transmissionâe"as compositions for performance. Based on a fresh and detailed examination of the original papyri and textual sources, and focusing on the archaic culture within which Sapphoâe(tm)s poetry was performed, Fragments of Sappho covers a wide range of issues related to language, transmission, ancient visual and literary representations, and sociocultural contexts.