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The Wilton Diptych
The Wilton Diptych is one of the most beautiful, yet most enigmatic, paintings ever made. The intricacy of detail, the refinement and sublety of its varied techniques and decorative effects, the lushness of its colours and the exquisite tooling of the gold, all in a remarkable state of preservation, are unmatched in any contemporary English or European panel painting. Superficially the imagery is straightforward. It shows Richard II (King of England 1377-99) being presented to the Virgin and Child by two royal English saints, Edward the Confessor and Edmund, and Richard's patron saint, John the Baptist. On the exterior are the king's personal emblem of the white hart and his coat of arms. Thereafter the diptych remains an enigma: no one knows precisely when, why, or by whom it was painted. The author explores new evidence which helps to clarify the diptych's meaning. As a result of recent investigations by the Gallery's Scientific and Conservation Departments, valuable technical information is presented about the materials used in its painting, which has a bearing on both its origin and serves to emphasize the extraordinary craftsmanship of the diptych.
The Wilton Diptych
The WIlton Diptych is one of England's greatest surviving medieval treasures, now in the collection of the National Gallery, London. This beautiful and enigmatic painting depicts King Richard II being presented to the Virgin Mary and Christ by John the Baptist and two English kings, revered as saints. The brilliant colour and lavish use of gold give it the appearance of a luxury object, yet its primary function was religious, as a portable diptych for the king's private devotions. The authors present a fascinating account of the iconography, historical context and style of this unique and precious object, together with a detailed explanation of the materials and techniques used to make it. They also discuss the likely identity of the artist, and the possible evidence that this picture was known to and referenced by William Shakespeare in his play Richard II. New photography, including exquisite details, gives unprecedented access to this remarkable painting, while the latest infrared imaging reveals hidden underdrawings.
Prayers and Portraits
Publisher description
The Diptychs, a Prelection
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Reverberations
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Diptychs
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 25. Chapters: Adam and Eve (Cranach), Adam and Eve (Durer), Apocalyptic Riders, Consular diptych, Crucifixion and Last Judgement diptych, Crucifixion Diptych (van der Weyden), Diptych of Philip de Croy with The Virgin and Child, Living Memory (paintings), Marilyn Diptych, Poet and Muse diptych, Portrait Diptych of Durer's Parents, Symmachi-Nicomachi diptych, The Four Apostles, Wilton Diptych. Excerpt: The Crucifixion and Last Judgement diptych (or Diptych with Calvary and Last Judgement) consists of two small painted panels attributed to the Early Netherlandi...
Jean Fouquet
"Jean Fouquet's diptych from the collegiate church of Melun is one of the main works the painting of the 15th century and French art in general. The left wing with the donor portrait is since 1896 in Berlin, while the right wing, the Madonna performing wings of the Museum of Fine Arts belongs to Antwerp. Both halves were separated by 1773 and were the last time together in 1937. The Berlin exhibition unites them now again and shows more important works, including the original medallion with Fouquet's self-portrait from the Louvre, an outstanding portrait drawing of his hand as well as selected works by painters like Jan van Eyck and Peter Christ. In the accompanying catalog well-known international researchers highlight different aspects of the work, including his iconography and technique, the person of the founder, Fouquets artistic requirements and more"--Publisher's website.
The Diptychs
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The Boethius Diptych
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