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Blind like Homer - the influential and beautiful poetry, mingling the religious and the erotic, of the mediaeval Syrian poet and philosopher Abu'l-Ala (he lost his sight in childhood through smallpox), edited by Ruth Finnegan HISTORIC MIDDLE-EAST POETRY, Callender series
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Biography of Diwāna Siṅgha Kāle Pāṇī, 1897-1944, Panjabi writer.
The pre-Islamic warrior-poet 'Antarah ibn Shaddad, a composer of one of the Mu'allaqat, attracted the attention of the philologists who were active in Iraq at the nascence of the scholarly study of Arabic. These philologists collected and studied the diwan of 'Antarah as part of their recovery and codification of the Jahiliyyah: 'Antarah became one of the Six Poets, a collection of pre-Islamic poets associated with al-Asma'i, “the father of Arabic philology.” Two centuries later, in al-Andalus, al-Shantamari and al-Batalyawsi composed their commentaries on the diwans of the Six Poets. This study uncovers the literary history of 'Antarah’s diwan and presents five editions, with critical apparatus, of the extant recensions, based on an extensive collation of the surviving manuscripts. An Arabic edition with English scholarly apparatus.
This book features detailed analysis of an ancient secret scroll from the Middle East known as the Rivers Scroll or Diwan Nahrawatha, providing valuable insight into the Gnostic Mandaean religion. This important scroll offers a window of understanding into the Mandaean tradition, with its intricate worldview, ritual life, mysticism and esoteric qualities, as well as intriguing art. The text of the Rivers Scroll and its artistic symbolism have never before been properly analyzed and interpreted, and the significance of the document has been lost in scholarship. This study includes key segments translated into English for the first time and gives the scroll the worthy place it deserves in the history of the Mandaean tradition. It will be of interest to scholars of Gnosticism, religious studies, archaeology and Semitic languages.
I have always had in mind to write a book on numerous performable chords on the long-neck Tembûr which is known by various names in different parts of Kurdistan; it is known as Tembûr in the northern and western Kurdistan, it is known as Diwan in the eastern Kurdistan, and in the southern part of Kurdistan it is called Saz. However, the Turkish people use the word Baghlama to refer to the above mentioned instrument. Some years ago, I strove to do something i n this field which culminated in writing a book and, due to some reasons, I refused to publish it. During the last two months, I aimed at editing and adding some supplementary parts to it. Moreover, ten Kurdish songs along with displaying their chords have been pieced together. It should be noted that the book does not include the entire Diwan chords because I have attempted to write those chords that are more used in this instrument. I hope this book will be used by art lovers and Diwan players to enable them to improve their playing techniques. I wish you enjoy playing them. – Yade Shakeri
The present English translation reproduces the original German of Carl Brockelmann’s Geschichte der Arabischen Litteratur (GAL) as accurately as possible. In the interest of user-friendliness the following emendations have been made in the translation: Personal names are written out in full, except b. for ibn; Brockelmann’s transliteration of Arabic has been adapted to comply with modern standards for English-language publications; modern English equivalents are given for place names, e.g. Damascus, Cairo, Jerusalem, etc.; several erroneous dates have been corrected, and the page references to the two German editions have been retained in the margin, except in the Supplement volumes, where new references to the first two English volumes have been inserted. Supplement volume SIII-ii offers the thee Indices (authors, titles, and Western editors/publishers).
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.