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Djambawa Marawili
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Djambawa Marawili
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Everywhen
"This publication accompanies the exhibition Everywhen: The Eternal Present in Indigenous Art from Australia, Harvard Art Museums, Cambridge, Massachusetts, February 5 through September 18, 2016."
Life on the Margins
The research presented here is primarily concerned with human-environment interactions on the tropical coast of northern Australia during the late Holocene. Based on the suggestion that significant change can occur within short time-frames as a direct result of interactive processes, the archaeological evidence from the Point Blane Peninsula, Blue Mud Bay, is used to address the issue of how much change and variability occurred in hunter-gatherer economic and social structures during the late Holocene in coastal northeastern Arnhem Land. The suggestion proposed here is that processes of environmental and climatic change resulted in changes in resource distribution and abundance, which in tur...
Mooring the Global Archive
The first in-depth analysis of archival methodologies in the writing of global history, focused on a Japanese migrant steamship in the 1880s-90s. Tracing the ship's journeys between Japan, Hawai'i, Southeast Asia and Australia, Martin Dusinberre analyses labour migration, settler colonialism and resource extraction in the Asia-Pacific world.
The Making of Indigenous Australian Contemporary Art
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
OECD Rural Studies Linking Indigenous Communities with Regional Development in Australia
Indigenous Australians play an important role in the development of regional economies. Compared to the non-Indigenous population, Indigenous peoples are more likely to be located in predominantly rural regions. However, significant gaps in socio-economic outcomes with non-Indigenous Australians remain and these gaps are larger in rural regions. The report provides three key recommendations to improve economic outcomes for Indigenous Australians.
Countering Modernity
This volume highlights and examines how Indigenous Peoples continue to inhabit the world in counter-modern ways. It illustrates how communalist practices and cooperative priorities of many Indigenous communities are simultaneously key to their cultural survival while being most vulnerable to post-colonial erasure. Chapters contributed by community collectives, elders, lawyers, scholars, multi-generational collaboratives, and others are brought together to highlight the communal and cooperative strategies that counter the modernizing tropes of capitalist, industrialist, and representational hegemonies. Furthermore, the authors of the book explicitly interrogate the roles of witness, collaborator, advocate, and community leader as they consider ethical relations in contexts of financialized global markets, ongoing land grabbing and displacement, epistemic violence, and post-colonial erasures. Lucid and topical, the book will be indispensable for students and scholars of anthropology, modernity, capitalism, history, sociology, human rights, minority studies, Indigenous studies, Asian studies, and Latin American studies.
Djalkiri
Djalkiri are footprints, ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their spiritual foundations. This book explores Yolŋu art and material culture through the voices of those who have been involved with Yolŋu collections over time. With contributions from Yolŋu elders and artists, art historian and museum curators, it describes how communities and museums have worked together in the past, how the relationship has changed, and how Yolŋu philosophies can guide how we engage with Yolŋu art. Some of the collections featured here were created almost 100 years ago and have rarely been on public display. In Djalkiri, members of the Milingimbi/Yurrwi Island, Ramingining and Yirrkala communities offer insight into their historical, contemporary, and deeper time meanings. Djalkiri is being published in conjunction with a landmark exhibition of Yolŋu art and culture at the new Chau Chak Wing Museum at the University of Sydney, which will open in November 2020.
