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Djambawa Marawili
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Djambawa Marawili
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Djambawa Marawili
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Djambawa Marawili
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Where the Water Moves, where it Rests
Catalogue for Where the water moves, where it rests : Djambawa Marawili AM exhibition held at the Kluge-Ruhe Aboriginal Art Collection Museum, University of Virginia, Charlottesville, VA, 18 August to 20 December 2015; includes essay 'Djambawa Marawili AM : change agent' on the artist and his work by Kimberley Moulton; includes biographical information on Djambawa Marawili AM and Kimberley Moulton.
Marawili, Djambawa
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The Making of Indigenous Australian Contemporary Art
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
Nongirrna Marawili
A stand-alone book published in conjunction with a major exhibition at the AGNSW. The book is the second in a series of Australian mid-career artist books. The book is approx 128 pages, 220 x 180 mm, approx 16,000 words of text plus 500 words of notes, and approx 80 illustrations.
Mooring the Global Archive
The first in-depth analysis of archival methodologies in the writing of global history, focused on a Japanese migrant steamship in the 1880s-90s. Tracing the ship's journeys between Japan, Hawai'i, Southeast Asia and Australia, Martin Dusinberre analyses labour migration, settler colonialism and resource extraction in the Asia-Pacific world.
Countering Modernity
This volume highlights and examines how Indigenous Peoples continue to inhabit the world in counter-modern ways. It illustrates how communalist practices and cooperative priorities of many Indigenous communities are simultaneously key to their cultural survival while being most vulnerable to post-colonial erasure. Chapters contributed by community collectives, elders, lawyers, scholars, multi-generational collaboratives, and others are brought together to highlight the communal and cooperative strategies that counter the modernizing tropes of capitalist, industrialist, and representational hegemonies. Furthermore, the authors of the book explicitly interrogate the roles of witness, collaborator, advocate, and community leader as they consider ethical relations in contexts of financialized global markets, ongoing land grabbing and displacement, epistemic violence, and post-colonial erasures. Lucid and topical, the book will be indispensable for students and scholars of anthropology, modernity, capitalism, history, sociology, human rights, minority studies, Indigenous studies, Asian studies, and Latin American studies.
