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Nayla
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They Say I'm a Monkey
They say I'm a monkey -- The leech -- Durian -- Painting a window -- SMS -- Forsaken dreams -- Nayla's time -- The dog man -- Her name -- Asmoro -- Manusya and Dia
Nayla (Ed. Inggris)
Nayla claims to never want love. All she wants to do, she claims, is to get drunk. Yet I suspect, what she really wants, what she truly needs, is to be drunk in love. —Ben But how can we tell what’s in their minds? Not everyone is naïve like her. If she behave in such a sexually inviting manner, who can blame the men for hitting on Nayla? —Juli Her name is Nayla. My fellow counselors dislike her. They perceive her as arrogant because she comes from a rich and famous family, thereby refusing to get along with other people in this rehabilitation center. She has been living here for a week. Her behaviour hasn’t changed. When she is alone, she laughs constantly to herself while twisting the locks of her hair and biting her fingernails. —Ibu Lina I feel Nayla has started using drugs. —Ratu Nayla is afraid of the Mother character. —Ardan Why don’t you take that injection, which can help you lose weight, Nay? Your body no longer looks good. How can it arouse men, when it doesn’t even arouse me as a gay man? —Pansy It was her father who was immoral. This was his entire fault! Not mine! —Mother I am drunk and I am an angel. And I don’t give a shit anymore. —Nayla
Mereka bilang, saya monyet!
Mereka bilang, saya monyet! -- Lintah -- Durian -- Melukis jendela -- SMS -- Menepis harapan -- Waktu Nayla -- Wong Asu -- Namanya,-- -- Asmoro -- Manusya dan Dia
T(w)itit!
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Anthology of Short Stories from Indonesia, Malaysia, Singapore
The Indonesia-Malaysia-Singapore anthology, a collection of twelve short stories by writers from Malaysia, Indonesia, and Singapore, indicates that literature connects nations, transcending geopolitical boundaries. For this anthology, writers and compositions that typically represented each nation were selected. Malaysia is represented by Azmah Nordin, S.M Zakir, Sri Diah, and Zakaria Ali; Indonesia is represented by Djenar Maesa Ayu, Oka Rusmini, Seno Gumira Ajidarma, and Sulfixa Ariska; and Singapore is represented by Rama Kannabiran, Suchen Christine Lim, Suratman Markasan, and Wong Meng Voon. Their writings are unique, featuring not only local aspirations but also imparting universal values, Literature aligns quintessential truths, chronicles the inner voice, and emphasises aspirations. In the context of regional ties, literature has great capacity to bind relationships through a mutual understanding of culture and shared values.
1 Perempuan 14 Laki-Laki
Perlu 14 laki-laki untuk menulis buku ini dan hanya 1 perempuan untuk mengisahkannya... "Kita bisa memesan bir, namun kita tak bisa memesan takdir." Agus Noor "Onggokan baju-baju kami tengah berpelukan di atas lantai." Arya Yudistira Syuman "Sejak Mas Gun menyandang gelar anumerta dalam urusan ranjang, ia selalu gugur sebelum berperang." Butet Kartaredjasa "Masih jelas benar mata-mata tanpa bola mata hitam merubuhkan patung. Membakar kampung." Enrico Soekarno "Tanpa hilang senyum, ia minta saya berakting di depan kamera untuk sebuah adegan mesum." Indra Herlambang "Kadang sunyi. Kadang ramai seperti adegan ranjang yang melibatkan borgol, topeng, dan cemeti." JRX "Melongo di depan buku berdeb...
Celluloid Ceiling
An extensive overview of female film directors worldwide, showing how they are breaking through the 'Celluloid Ceiling', and succeeding in a still very male-dominated industry. The book contains exclusive interviews with women film directors, explores the impact of digital technology, and reaches some surprising conclusions. Now that Kathryn Bigelow has made history as the first woman to win an Oscar for directing, we ask whether this is a new era for women filmmakers. This unique international overview highlights emerging women directors and groundbreaking pioneers, and provides a one-stop guide to the leading film directors of the 21st century, and the people who inspired them. From the bl...
