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This book offers an in-depth study of the poetics of creative writing as a subject in the dramatically changing context of practice as research, taking into account the importance of the subjectivity of the writer as researcher. It explores creative writing and theory while offering critical antecedents, theoretical directions and creative interchanges. The book narrows the focus on psychoanalysis, particularly with regard to Lacan and creative practice, and demonstrates that creative writing is research in its own right. The poetics at stake neither denotes the study or the techniques of poetry, but rather the means by which writers formulate and discuss attitudes to their work.
Otopos unfurls a paradox: the interleaving and entangling of self and topos. It began with a loss of equilibrium impelling rhythmic departures, an incipient blood beat-- subcutaneous, through the feet all the way to the surface of the page. A Belgian native, I live and write on unceded Wurundjeri land in an inner-city suburb of Melbourne. This makes me a paradox. An unsettled European out of place in a neighbourhood she calls home with its fenced, stolen and, too often, desecrated land. Who bears witness to political abstractions and aberrations yet fails to wholly reimagine or rematerialize these through poetry despite her attempt to uncover the regimes of terror of settlement perpetrated b...
This book explores the vital role of the imagination in today's complex climates--cultural, environmental, political, racial, religious, spiritual, intellectual, etc. It asks: What contribution do the arts make in a world facing the impacts of globalism, climate change, pandemics, and losses of culture? What wisdom and insight, and orientation for birthing hope and action in the world, do the arts offer to religious faith and to theological reflection? These essays, poems, and short reflections--written by art practitioners and academics from a diversity of cultures and religious traditions--demonstrate the complex cross-cultural nature of this conversation, examining critical questions in dialogue with various art forms and practices, and offering a way of understanding how the human imagination is formed, sustained, employed, and expanded. Marked by beauty and wonder, as well as incisive critique, it is a unique collection that brings unexpected voices into a global conversation about imagining human futures.
DREAM A LITTLE In heaven there is no blindness, no poverty, no slavery, no death. There is no fear, no selfishness, no worries. In heaven there is no hunger, no thirst, there is only goodness. In heaven your dreams come true. There is love, and there is your loved ones. There are rainbows and blue skies, there is kindness and sharing. In heaven we all belong, so dream a little and you know it is your home.
Prose Poetry in Theory and Practice vigorously engages with the Why? and the How? of prose poetry, a form that is currently enjoying a surge in popularity. With contributions by both practitioners and academics, this volume seeks to explore how its distinctive properties guide both writer and reader, and to address why this form is so well suited to the early twenty-first century. With discussion of both classic and less well- known writers, the essays both illuminate prose poetry’s distinctive features and explore how this "outsider" form can offer a unique way of viewing and describing the uncertainties and instabilities which shape our identities and our relationships with our surroundings in the early twenty-first century. Combining insights on the theory and practice of prose poetry, Prose Poetry in Theory and Practice offers a timely and valuable contribution to the development of the form, and its appreciation amongst practitioners and scholars alike. Largely approached from a practitioner perspective, this collection provides vivid snapshots of contemporary debates within the prose poetry field while actively contributing to the poetics and craft of the form.
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Partly guided by Alain Badiou's controversial Century and its interpretation of the events and art of the last century, this book opens debates about these for the twenty-first century. This book examines the extent to which such debates can be applied to the first decades of the twenty-first century and the extent to which analyses of events and subjectivities in the twentieth century can be re-thought from the perspective of this century. This book is also partly guided by Gilles Deleuze's ...
Judging from the debates taking place in both education and practice, it appears that architecture is deeply in crisis. New design and production techniques, together with the globalization of capital and even skilled-labour, have reduced architecture to a commodified object, its aesthetic qualities tapping into the current pervasive desire for the spectacular. These developments have changed the architect’s role in the design and production processes of architecture. Moreover, critical architectural theories, including those of Breton, Heidegger and Benjamin, which explored the concepts of technology, modernism, labour and capital and how technology informed the cultural, along with later...
Brings together experiences of teachers of African literature from around the world in the context of technological change. Focuses on theoretical and pedagogical approaches to the teaching of African Literature on both sides of the Atlantic and beyond. The publication of Chinua Achebe's Things Fall Apart in 1958 drew universal attention not only to contemporary African creative imagination, but also established the art of the modern African novel. In 1986, Wole Soyinka became the first African to win the Nobel Prize for Literature, and opened the 'gate' for other African writers. By the close of the 20th century, African Literature had gained world-wide acceptance and legitimacy in the acad...
This is the first comprehensive study of one of the world's most gifted and exciting writers. It follows Peter Carey's career from the nightmare-haunted stories of The Fat Man in History and War Crimes to the madcap satire of Bliss, from Illywhacker's picaresque landscapes to Oscar and Lucinda's glittering achievement, and the powerfully confronting vision of The Tax Inspector. Dancing on Hot Macadam is a lucid account of Peter Carey's fiction and its intriguing critical reception. It explores his preoccupation with imprisonment and metamorphosis, and the desire of his characters to escape from bewildering roles, relationships and societies.Dancing on Hot Macadam is another volume in the excellent Studies inAustralian Literature series ... It is a sound and persuasive critique thatgets much better as it goes along.Times Literary SupplementThe book contains a lot of ideas ... and will be the base from which to drawthe map of Carey's fiction as it develops further.Julian Croft Weekend Australian