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A collection of the works of the renowned English photographer includes imagery of war from his career as a photojournalist, as well as portraits from other cultures, and landscapes from around the world.
"McCullin is required reading if you want to know what real journalism is all about." --"Times Literary Supplement" From the construction of the Berlin Wall through every conflict up to the Falklands War, photographer Don McCullin has left a trail of iconic images. At the "Sunday Times Magazine "in the 1960s, McCullin's photography made him a new kind of hero. The flow of stories every Sunday took a generation of readers beyond the insularity of post-war Britain and into the recesses of domestic deprivation: when in 1968, a year of political turmoil, the Beatles wanted new pictures, they insisted on using McCullin; when Francis Bacon, whose own career had emerged with depiction of the ravage...
After a career spanning sixty years, Sir Don McCullin, once a witness to conflict across the globe, has become one of the greatest landscape photographers of our time.0His pastoral view is far from idyllic. Though the woods and stream close to his house in Somerset have offered some respite, he has not sought out the quiet corners of rural England.0He is drawn, instead, to the drama of approaching storms. He has an acute sense of how the emptiness of his immediate landscape echoes a wider tone of disquiet.0This is a beautifully produced photographic book containing sublime views of England shrouded in mist, snow, water or cowering beneath an overwhelming sky.0And although the majority of the images featured are from Great Britain, it also includes stunning scenes from Syria, Iraq, France, Morocco, Sudan, India and Indonesia.
No other photographer in modern times has recorded war and its aftermath as widely and unsparingly as Don McCullin. After a childhood in London during the Blitz, and after the hardships of evacuation, McCullin feels his life has indeed been shaped by war. From the building of the Berlin Wall at the height of the Cold War to El Salvador and Kurdistan, McCullin has covered the major conflicts of the last fifty years, with the notable exception of the Falklands, for which he was denied access. His pictures from the Citadel in Hue and in the ruins of Beirut are among the most unflinching records of modern war. The publication of many of his greatest stories in the Sunday Times magazine did much ...
Don McCullin's reputation as the greatest photographer of conflict has been replaced in recent years with an image of McCullin as the great traveller. He is now as familiar with the remoter parts of the globe as he was once accustomed to life in the war zone. His most ambitious journey has been to explore the fringes of the Roman empire. Southern Frontiers is divided into two parts. The first, The Levant, includes the ruins of Baalbek in the Lebanon, Palmyra in Syria and Jirash in Jordan. The second par , The Moghreb, covers a sweeping journey through the North African coastal countries Morocco, Algeria, Tunisia and Libya, where he has photographed the great ruins of Leptus Magna. McCullin's photographs, taken on a large format camera, are evocative of the views of distinguished nineteenth-century predecessors who came with sketchbooks and paints. The book is produced in an appropriate large album format. Texts on each of the sites have been written by Barnaby Rogerson, an authority on the Roman empire. The book will include an introduction by McCullin himself.
For this superb new collection McCullin has turned for inspiration to India.
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Combines the author's work with a body of photographs of England where the line between the wealthy and the deprived is as defined as ever.
The updated retrospective published for McCullin's 80th birthday. Contains 40 new unpublished photographs and a new introduction - the definitive edition. McCullin's reputation has long been established as one of the greatest photographers of conflict in the last century. In the fourteen years since the first publication of the book, McCullin has shed the role of war photographer and become a great landscape artist. He has also travelled widely through Africa, India, the Middle East and among the tribes living in Stone Age conditions in Indonesia. His journey from the back streets of north London to his rural retreat in the depths of Somerset is unparalleled. It includes a passage through the most terrible scenes of recent history, for which his stark views of the West Country offer him some redemption.
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