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American historians of the early national period, argues Eileen Ka-May Cheng, grappled with objectivity, professionalism, and other “modern” issues to a greater degree than their successors in later generations acknowledge. Her extensive readings of antebellum historians show that by the 1820s, a small but influential group of practitioners had begun to develop many of the doctrines and concerns that undergird contemporary historical practice. The Plain and Noble Garb of Truth challenges the entrenched notion that America’s first generations of historians were romantics or propagandists for a struggling young nation. Cheng engages with the works of well-known early national historians ...
Saxton asks why white racism remained an ideological force in America long after the need to justify slavery and Western conquest had disappeared.
Audiences as well as other artists have responded to Franz Schubert's music with passion, both during his time and in the past two centuries. Musicians, painters, writers, and filmmakers have all found a connection with him, integrating his music into their own works in ways that have given their works greater depth. Our Schubert: His Enduring Legacy examines Schubert and the ways audiences and artists_both his contemporaries and their descendents_relate to him, analyzing some of the uses of Schubert's music and providing an intimate portrait of the man. Divided into two parts, part one focuses on Schubert's own time, discussing many aspects of Schubert's life and the effects they had on his...
This book contains the proceedings of an interna tional symposium devoted to Modeling and Analysis of Defense Processes in the context of land/air warfare. It was sponsored by Panel VII (on Defense Applications of Operational Research) of NATO's Defense Research Group (DRG) and took place 27-29 July 1982 at NATO headquarters in Brussels. Except perhaps for the Theater-Level Gaming and Analysis Workshop, sponsored by the Office of united 1 states Naval Research in 1977 , this symposium was the first international scientific meeting on Operations Research/Systems Analysis in the area of land/air war fare since the conference on Modeling Land Battle Systems 2 for Military Planning sponsored by ...
Part biography, part history, and all adventure, the life of Catherine Willis Murat leaps from the pages of “Twice a Princess” like a fantasy of Scheherezade. Niece of George Washington, niece of Napoleon Bonaparte, princess consort of the Kingdom of Naples, and a princess of France, this daughter of America remained true to her southern heritage as she blazed across the pages of history with her husband, Prince Achille Murat, nephew of Napoleon and son of his greatest cavalry commander. Together Prince Murat and his unlikely princess joined families, continents, and political powerhouses. In the epiphany of her final years she freed her slaves who freely and out of respect chose to remain with her until death. From rough and tumble frontier Florida to the throne rooms of Europe follow “Princess Kate” through a journey so astounding it scarcely seems real.
Antebellum slave narratives have taken pride of place in the American literary canon. One key aspect of the genre, however, has been left unexamined: its materiality. In Fugitive Texts, Michaël Roy offers the first book-length study of the slave narrative as a material artifact. Drawing on a wide range of sources, he reconstructs the publication histories of a number of famous and lesser-known narratives, placing them against the changing backdrop of antebellum print culture. Published to rave reviews in French, Fugitive Texts illuminates the heterogeneous nature of a genre often described in monolithic terms and ultimately paves the way for a redefinition of the literary form we have come to recognize as "the slave narrative."
The Vienna in which Franz Schubert lived for the thirty-one years of his life was not just a city of music, dance, and coffeehouses - a centre of important achievements in the arts. It was also the capital of an empire that was constantly at war in the composer's youth and that became a police state during his maturity.