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The Albanian National Awakening
Professor Skendi, a native of Albania, traces the progress and setbacks of Albania's long struggle for national unity during this least-known period of its intricate history. He discusses the heritage of its people and examines in detail the developments that led to Albanian independence: national resistance to the decisions of the Congress of Berlin, later opposition to Turkey, and the struggle between the Albanians and the Young Turks. Consideration is given to such internal problems as geographic configuration, religious and political division, and to such external problems as Italo-Austrian rivalry, political interference from neighboring states, and the involvement of great powers. Orig...
Sixteenth-century Italian Drawings in New York Collections
Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR
The Fascist Revolution in Tuscany, 1919-22
This 1989 book is a detailed study of the social origins of the fascist reaction in Tuscany, which played a key role in the rise of Italian fascism to power. Tuscan fascism was second to none in its violence, organisational strength, intransigence and missionary zeal. The central question is who supported fascism, and why. To what extent did Tuscany, a major agricultural region, conform to national patterns? What are the implications of the pattern of support for fascism in Tuscany for the wider interpretation of the movement? Dr Snowden offers a thematic approach, discussing in turn agrarian fascism, industrial and urban activity, and relations between the black-shirts and state officials. Thus the significance of the fascist militancy of particular social groups and classes can be assessed for the period between the mass strikes in 1919 and the end of labour militancy marked by the beginning of the fascist dictatorship.
Emigrant Nation
Between 1880 and 1915, thirteen million Italians left their homeland, launching the largest emigration from any country in recorded world history. As the young Italian state struggled to adapt to the exodus, it pioneered the establishment of a “global nation”—an Italy abroad cemented by ties of culture, religion, ethnicity, and economics. In this wide-ranging work, Mark Choate examines the relationship between the Italian emigrants, their new communities, and their home country. The state maintained that emigrants were linked to Italy and to one another through a shared culture. Officials established a variety of programs to coordinate Italian communities worldwide. They fostered ident...
Church and Politics in Renaissance Italy
A detailed look at the public and private worlds of a leading Italian Renaissance cardinal.
Virginio Gayda, the Yugoslav Question and the Italian Irredenta
This is a study of the early writings of Virginio Gayda (1885-1944), a talented but amoral Italian journalist whose career spanned two world wars. A keen observer, prolific writer and propagandist during his stint as the newspaper La Stampa’s special correspondent in Habsburg Vienna, Gayda lent his considerable skills to promote an aggressive foreign policy. No one did more than he to poison relations between the Italian and Yugoslav peoples. His is the story of a respected journalist who chose an ultranationalist path to fascism and international fame. Not uninfluenced by rank careerism and material reward he forsook his roots to embrace the antisemitic “race” laws of 1938 and Italy’s disastrous partnership with Nazi Germany.
Master Drawings from the Yale University Art Gallery
This beautiful and important book highlights the collection of European drawings at the Yale University Art Gallery, one of America's premier university museums. From intimate studies to exquisite finished compositions, this selection of works documents the history of European drawing practices beginning with late-medieval model books and progressing to the verge of the modern period. The accompanying text--written by a team of scholars--offers a unique introduction to various critical and technical aspects of the study of master drawings, brought to life through drawings from a range of national schools and in a variety of media. Among the drawings examined in this handsomely produced volume are an animated pen and ink sketch by Giulio Romano, a pastoral landscape by Claude Lorrain, a forceful and humorous caricature by Guercino, a scene from the epic poem Orlando Furioso by Jean-Honoré Fragonard, and a delicate portrait by Edgar Degas.
