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Audiovisual Media and Identity Issues in Southeastern Europe
The edited volume Audiovisual Media and Identity Issues in Southeastern Europe is an attempt to meet the challenges of text-based scholarship, to break medial one-dimensionality dictated by textuality and to shift the focus to the aural and visual dimensions of identity in a part of Europe heavily marked by the dynamics of political, cultural and social change, particularly during the last decades. The objective of this endeavour is to examine identity in Southeastern Europe by means of its communication media, specifically that of the photographic image and the sound recording. How are identities communicated? How are they performed and made physically perceptible? Brought to a point, the p...
As a Tree Grows
Research on the Cox family genealogy was begun by Rev. Simeon O. Coxe (1877-1955). Verl F. Weight (one of the many descendants of the Cox family) and Mrs. Charles W. Cox (Willie Miller) further researched, compiled and published the information into the first edition in mimeographed copies in 1962. When time took its toll on these copies and years of work began to fade away, Mary Carol Cox volunteered to retype and publish As A Tree Grows into a paperback book.
Staging Socialist Femininity
Examining the stage performance of female vocal groups as cultural practices which produced a new pattern in the representation of gender in the light of the socialist identity politics, book offers a multifaced picture of the personal experiences of the socialist gender politics in socialist Serbia.
Monk’s Music
"Gabriel Solis's study of Thelonious Monk's legacy energizes an important development in jazz studies. Respectful of Monk and his musical heirs, Solis nevertheless offers insights on Monk myth-building by opposing jazz camps in which both moldy figs and avant-gardists claim him as their own. Moving beyond exploding these turf battles, Solis comes to deep realizations about jazz as a practice. This will become an often-cited work, even a transformative one."—Steven F. Pond, author of Head Hunters: The Making of Jazz's First Platinum Album (winner of the International Association for the Study of Popular Music's Woody Guthrie Prize)
Post-communist Nostalgia
Although the end of the Cold War was greeted with great enthusiasm by people in the East and the West, the ensuing social and especially economic changes did not always result in the hoped-for improvements in people's lives. This led to widespread disillusionment that can be observed today all across Eastern Europe. Not simply a longing for security, stability, and prosperity, this nostalgia is also a sense of loss regarding a specific form of sociability. Even some of those who opposed communism express a desire to invest their new lives with renewed meaning and dignity. Among the younger generation, it surfaces as a tentative yet growing curiosity about the recent past. In this volume scho...
Postsocialism
Social scientists did not predict the collapse of the socialist system in 1989-91 and their attempts to explain postsocialism have not been comprehensive. Economic disintegration and political instability have been documented, but the deeper causes have often gone unnoticed. Consequently the solutions proffered, such as the promotion of non-governmental organisations as the foundations of 'civil society', have so far brought little success. Postsocialism presents, for the first time, the anthropological responses to these problems which are all grounded in intensive fieldwork. The authors demonstrate that even when local conditions are specific, the view 'from below' illuminates macro trends. A wide range of topics are discussed, including: *the role of social and cultural capital in determining the 'winners' of rural decollectivization *the devaluation of blue collar labour *the position of Gypsies *the viability of 'multicultural' models in situations of religious differences and ethnic violence *new patterns of consumption in China *the revival of rituals and the healing of socialist 'trauma'. _
Twentieth-Century Music in the West
"Introduction Steve Reich pitched up in San Francisco in September 1961. He was a young musician, one who had been taken by the early-century work of the Hungarian composer and folklorist Béla Bartók, and he had journeyed west from New York in the hope of studying with Leon Kirchner, a composer in the rough-lyric Bartók tradition who'd been teaching at Mills College. But Kirchner had just left for Harvard, so Reich ended up working at Mills under Luciano Berio. Over the course of the previous decade, Berio had become identified as a figurehead of the European post-war avant-garde: his ultramodern serialist work was quite a different proposition to Kirchner's own"--
Analytical Studies in World Music
Combining the approaches of ethnomusicology and music theory, Analytical Studies in World Music offers fresh perspectives for thinking about how musical sounds are shaped, arranged, and composed by their diverse makers worldwide. Eleven inspired, insightful, and in-depth explanations of Iranian sung poetry, Javanese and Balinese gamelan music, Afro-Cuban drumming, flamenco, modern American chamber music, and a wealth of other genres create a border-erasing compendium of ingenious music analyses. Selections on the companion website are carefully matched with extensive transcriptions and illuminating diagrams in every chapter. Opening rich cross-cultural perspectives on music, this volume addresses the practical needs of students and scholars in the contemporary world of fusions, contact, borrowing, and curiosity about music everywhere.
In the Land of Orpheus
Publisher Description
Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia
Turbo-folk music is the most controversial form of popular culture in the new states of former Yugoslavia. Theoretically ambitious and innovative, this book is a new account of popular music that has been at the centre of national, political and cultural debates for over two decades. Beginning with 1970s Socialist Yugoslavia, Uroš Čvoro explores the cultural and political paradoxes of turbo-folk: described as ’backward’ music, whose misogynist and Serb nationalist iconography represents a threat to cosmopolitanism, turbo-folk’s iconography is also perceived as a ’genuinely Balkan’ form of resistance to the threat of neo-liberalism. Taking as its starting point turbo-folk’s popu...
