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This study explores the personal, historical, and artistic influences that combined to form such dark and influential American masterpieces as 'The Iceman Cometh', 'The Emperor Jones', 'Mourning Becomes Electra', 'Hughie', and - arguably the finest tragedy ever written by an American - 'Long Day's Journey into Night'.
The fact is, nothing in O'Neill's forty-five theatrical endeavors of varying merit prior to 1939 suggests the unmistakable touch of genius which radiates from his last plays - A Touch of the Poet (1939), The Iceman Cometh (1940), Long Day's Journey into Night (1941), Hughie (1942), and A Moon for the Misbegotten (1943)."--BOOK JACKET. "At least one valid explanation for this phenomenon is the greatly improved endings of the late plays."--BOOK JACKET.
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Judaism: Sacred Texts, History, Theology & Philosophy offers an unparalleled journey into the rich tapestry of Jewish literary tradition, philosophy, and history. By bringing together an array of texts ranging from theological treatises, philosophical inquiries, to historical narratives, this collection showcases the diverse methodologies and literary styles that have shaped Jewish thought from antiquity to the modern era. Each piece, carefully curated, highlights the evolution of Jewish wisdom, with texts that have stood at the heart of dialogue, debate, and devotion within Jewish culture. The anthology stands out not only for its breadth but also for including some of the most seminal work...
Eleanor was inspired by her father at an early age to appreciate family history. During her retired, lonely years as a widow she started writing for entertainment. She did not enjoy “pity parties” and found a joy in sitting in front of her computer to write about her memories. Some of her children and friends enjoyed hearing about past events that interested them and encouraged her to write. She was the only girl and oldest child and spent the majority of her growing up years around adults as they told their stories. That was their prime entertainment. She would like to inspire others to make notes and write stories for their future generations. She found that it is amazing how much one can remember and relive as the words appear on the computer screen.
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This book demonstrates Eugene O’Neill’s use of philosophy in the early period of his work and provides analyses of selected works from that era, concluding with The Hairy Ape, completed in 1921, as an illustration of the mastery he had achieved in dramatizing key concepts of philosophy. Analyses of one-act and full-length plays from 1913 to 1921 reveal the influence of the three philosophers and establish that O’Neill was fundamentally a philosophic playwright, even from his earliest dramatic sketches. Specific concepts from Schopenhauer, Stirner, and Nietzsche went into O’Neill’s shaping of character arcs, dramatic circumstances, symbology, and theme. Among them are Schopenhauer...
Critic Clive Barnes once called Eugene O’Neill the “world’s worst great playwright” and Brooks Atkinson called him “a tragic dramatist with a great knack for old-fashioned melodrama.” These descriptions of the man can also be used to describe his work. Despite the fact that O’Neill is the only American playwright to win the Nobel Prize for Literature and his last works are some of America’s finest, most of his published works are not good. This work closely examines how O’Neill’s failures as a playwright are inspiring and how his disappointments are reflections of his own theory that tragedy requires failure, a theory that is evident in his work. Conflicts in O’Neill’s plays are studied at the structural level, with attention paid to genre, language or dialogue, characters, space and time elements, and action. Included is information about O’Neill’s life and a chronological listing of all of his 50 plays with basic details such as production history, principal characters, dramatic action, and a brief commentary.
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