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Ninety-Two Poems and Hymns of Yehuda Halevi
This is the first publication in English of Franz Rosenzweig's 1927 translation of and commentaries on ninety-two poems and hymns of the greatest medieval "singer of Zion," Yehuda Halevi (born circa 1080). Franz Rosenzweig (1886-1929) is widely recognized as one of the greatest Jewish philosophers of the modern period and his Star of Redemption is considered one of the most important twentieth-century contributions to Jewish—and Christian—theology. Rosenzweig's original and brilliant commentaries open a window into the final developments of his own thought: his debates with Protestant theology, his reservations regarding modern science and culture, and his progressive appreciation for the wisdom of the Jewish tradition. They are a testament not only to the profound vision of Judaism embedded in the poetry of Yehuda Halevi, but to the ever vibrant and deepening sagacity of Franz Rosenzweig himself.
Philosopher and Prophet
This book relates the various strata of Halevi's Book of Kuzari to the different periods of Halevi's philosophical development.
Yehuda Halevi
Part of the Jewish Encounter series A masterly biography of Yehuda Halevi, one of the greatest of Hebrew poets and a shining example of the synthesis of religion and culture that defined the golden age of medieval Spanish Jewry. Like Maimonides, with whom he contrasts sharply, Yehuda Halevi spanned multiple worlds. Poet, philosopher, and physician, he is known today for both his religious and secular verse, including his famed “songs of Zion,” and for The Kuzari, an elucidation of Judaism in dialogue form. Hillel Halkin brilliantly evokes the fascinating world of eleventh- and twelfth-century Andalusian Spain in which Halevi lived and discusses the influences that formed him. Relying on ...
Judah Halevi and His Circle of Hebrew Poets in Granada
Perhaps the greatest Hebrew poet since biblical times, Judah Halevi (ca. 1075-1141) is best-known for his “Songs of Zion,” written late in life. But when Halevi first appeared on the stage of history, he was just a young man, incredibly talented - and completely unknown. This study focuses on Halevi’s earliest period of creativity within a circle of Hebrew poets centering on the Muslim city-kingdom of Granada. Part One examines the lure of Muslim Spain for an up-and-coming young poet and the poems paving his way thither; Part Two, the social setting in which this circle of poets flourished and the dynamics behind many of its poems. A number of poems are brought in translation, many for the first time.
The Song of the Distant Dove
Judah Halevi (ca. 1075-1141) is the best known and most beloved of medieval Hebrew poets, partly because of his passionate poems of longing for the Land of Israel and partly because of the legend of his death as a martyr while reciting his Ode to Zion at the gates of Jerusalem. He was also one of the premier theologians of medieval Judaism, having written a treatise on the meaning of Judaism that is still studied and venerated by traditional Jews. As a member of the wealthy Jewish elite of medieval Spain, Halevi enjoyed the material pleasures available to the upper classes. Alongside his sacred poetry, he wrote verses about youthful romance, wine songs, and odes to his friends. In midlife, H...
The Kuzari
The Book of the Kuzari is one of the most famous works of the medieval Spanish Jewish philosopher and poet Judah Halevi. It is regarded as one the most important apologetic works of Jewish philosophy. The Kuzari takes place during a conversion of some Khazar nobility to Judaism. Divided into five parts it takes the form of a dialogue between a rabbi and a pagan. The pagan is then mythologized as the king of the Khazars who has invited the rabbi to instruct him in the tenets of Judaism. The Kuzari's emphasis is on the uniqueness of the Jewish people. The ideas and style of the work played an important role in debates within the Haskalah or Jewish Enlightenment movement.
Yehuda Halevi
This book follows the life story of the greatest Hebrew poet of medieval times from his first publication in Christian Toledo to his heroic journey toward Zion from Muslim Spain. The description is based, for the first time, on the entire collection of his poetry - "The Diwan", which was edited and re-edited between East and West at every important crossroad of his life. This in turn is done through comparison to autographical letters and contemporary correspondence discovered and collected over the past 50 years in the Cairo Geniza collections. Documentary material and Literary works, which were shun behind the iron wall in The Russian National Library in St. Petersburg, are woven for the first time into one, enabling us to examine closely the intricate relationship between old Jewish traditions and the ideological heritage associated with Halevi's innovative writings in prose and in poetry. Confronting Halevi's "Zion, will thou not ask?" opens the study which is mainly concerned with the story of Halevi's odyssey from Christian to Muslim Spain and eventually to Egypt, including the epic quest to the beloved yet fatal Zion.
The Kuzari
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Judah Halevi’s Fideistic Scepticism in the Kuzari
As scepticism has rarely been studied in the context of the Arabic culture and its Judeo-Arabic sub-culture, it is small wonder that sceptical motifs of Judah Halevi’s classic theological The Kuzari (written ca. 1140) received very little scholarly attention so far. Thus, the present study seeks to shed light on Halevi’s wrestling with the dogmatic-rationalistic trends of his period from an angle of this much less studied perspective. As a by-product, this study is a contribution to the mainly uncultivated field of traces of scepticism in the Arabic culture.
Judah Halevi’s Fideistic Scepticism in the Kuzari
As scepticism has rarely been studied in the context of the Arabic culture and its Judeo-Arabic sub-culture, it is small wonder that sceptical motifs of Judah Halevi’s classic theological The Kuzari (written ca. 1140) received very little scholarly attention so far. Thus, the present study seeks to shed light on Halevi’s wrestling with the dogmatic-rationalistic trends of his period from an angle of this much less studied perspective. As a by-product, this study is a contribution to the mainly uncultivated field of traces of scepticism in the Arabic culture.
