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The weekly source of African American political and entertainment news.
Working-Class Community in the Age of Affluence
It has appeared to many commentators that the most fundamental change in what it is meant to be working-class in twentieth-century Britain came not as a result of war or of want, but of prosperity. Social investigators documented how the relative affluence of the 1950s and 1960s improved the material conditions of life for working-class Britons whilst eroding their commitment to the shared life of ‘traditional’ communities. Utilising an oral history case study of sociability and identity in the Yorkshire town of Beverley between the end of the Second World War and the election of Margaret Thatcher’s government, Working-Class Community in the Age of Affluence challenges this influential...
The Owl
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Rampant Women
In Rampant Women, Linda J. Lumsden offers an in-depth look at the intersection between the woman suffrage movement and the constitutional right to assemble peaceably. Beginning in 1908, women activists took to the streets in a variety of public gatherings and protests in a bold attempt to win the right to vote. Lumsden shows how outdoor pageants, conventions, petition drives, soapbox speaking at open-air meetings, the use of symbolic expression, and picketing -- all manifestations of the right of assembly -- played an instrumental role in the woman suffrage movement. Without these innovative forms of protest, Lumsden argues, women might not be voting today in the United States.
Women and American Socialism, 1870-1920
Socialist women faced the often thorny dilemma of fitting their concern with women's rights into their commitment to socialism. Mari Jo Buhle examines women's efforts to agitate for suffrage, sexual and economic emancipation, and other issues and the political and intellectual conflicts that arose in response. In particular, she analyzes the clash between a nativist socialism influence by ideas of individual rights and the class-based socialism championed by German American immigrants. As she shows, the two sides diverged, often greatly, in their approaches and their definitions of women's emancipation. Their differing tactics and goals undermined unity and in time cost women their independence within the larger movement.
Taking Charge
First Published in 1994. Part of the series on the Development of American Feminism, Sandra Lewenson's Taking Charge is the first in this series, and the selection reflects the intent to assist in enlarging our general understanding of an often overlooked presence of feminism in such professional activities as those of the Modern Nursing Movement in the United States from the Gilded Era to World War I. This work will greatly enlightened the reader regarding the struggles and accomplishments of women in nursing.
Votes for College Women
Explores the College Equal Suffrage League’s work to advance the campaign for the Nineteenth Amendment The woman suffrage movement is often portrayed as having been led and organized by middle-aged women and mothers in stuffy, formal settings. This dominant account grossly neglects a significant demographic within the movement—college women. Between 1870 and 1910, the proportion of college women in the United States rose from 21 to 40 percent. By 1880, there were 155 private colleges in the Northeast and the South for female students and numerous coeducational institutions in the West. The widespread extension of academic training for women helped spur a well-organized campaign for femal...
West Side Story as Cinema
For millions of moviegoers unable to see the original stage version of West Side Story, director Robert Wise’s adaptation was a cinematic gift that brought a Broadway hit to a mass audience. Ernesto Acevedo-Muñoz argues that Wise’s film was not only hugely popular, but that it was also an artistic triumph that marked an important departure in the history of American movie making. With a score by Leonard Bernstein and choreography by Jerome Robbins, this update of the Romeo and Juliet story remains one of the most revered and highly popular American movie musicals, with only Singin’ in the Rain ranking higher in the AFI’s list of the best of the genre. Acevedo-Muñoz draws on previou...
The Future Is Present
A critical history of the pioneering art and technology group Mobile Image and their prescient work in communications, networking, and information systems. In The Future Is Present, Philip Glahn and Cary Levine tell the fascinating history of the visionary art group Mobile Image—founded by Kit Galloway and Sherrie Rabinowitz in 1977—which appropriated emerging technologies, from satellites to electronic message platforms. Based in Los Angeles, this under-studied collective worked amid urban crisis, a techno-boom, consolidating media power, and ascendant neoliberal politics. Mobile Image challenged fundamental conventions of the public sphere, democracy, communication, and political parti...
