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An innovative examination of our understanding of political legitimacy in Mali, and its wider implications for democratization and political modernity in the Global South.
Struggles over the meaning of the past are common in postcolonial states. State cultural heritage programs build monuments to reinforce in nation building efforts—often supported by international organizations and tourist dollars. These efforts often ignore the other, often more troubling memories preserved by local communities—markers of colonial oppression, cultural genocide, and ethnic identity. Yet, as the contributors to this volume note, questions of memory, heritage, identity and conservation are interwoven at the local, ethnic, national and global level and cannot be easily disentangled. In a fascinating series of cases from West Africa, anthropologists, archaeologists and art historians show how memory and heritage play out in a variety of postcolonial contexts. Settings range from televised ritual performances in Mali to monument conservation in Djenne and slavery memorials in Ghana.
Although Islam is not new to West Africa, new patterns of domestic economies, the promise of political liberalization, and the proliferation of new media have led to increased scrutiny of Islam in the public sphere. Dorothea E. Schulz shows how new media have created religious communities that are far more publicly engaged than they were in the past. Muslims and New Media in West Africa expands ideas about religious life in West Africa, women's roles in religion, religion and popular culture, the meaning of religious experience in a charged environment, and how those who consume both religion and new media view their public and private selves.
Islamic Divorce in the 21st Century takes a close look at the ways that Muslims from West Africa to Southeast Asia engage with and navigate Islamic law and other relevant norms during times of marital breakdown in light of twenty-first century challenges and development.
Introduction, Masquerade as an Artistic Pulse of the City -- "Face No Fear Face:" Unmasking Youths -- "If they Burn it Down, We will Build it Even Larger:" Confrontations of Space -- "People Hear at Night:" Sounds and Secrecy of Nocturnal Performance -- "Idagha Chieftaincy was Nothing like what it is today:" The Spectacle of Public Performance -- "We Call it Change:" An Artistic Profile of Artist Ekpenyong Bassey Nsa -- "Look at it, Touch it, Smell it-this is Nnabo:" Trajectories and Transformations of "Warrior" Societies -- "For this Small Money, I No Go Enter Competition:" Masquerade Competition on a Global Stage -- "I know Myself:" Masquerade as an Artistic Transformation -- Coda: "I Think About my Kids and Feeding Them".
Urban spaces have always functioned as cradles and laboratories for religious movements and spiritualities. The urban forms a central and nourishing agent for the creation of new religious expressions, and continually negotiates new ways of being spiritual and establishing spiritual ideas and practices. This book explores the intense and complex interplay between the (post) modern city and new religious and spiritual movement, bringing the city and its annexes into the foreground of current research into religion. It develops a new, ethnography-based analysis of the ways in which the pluralist experience of the "urban" inscribes itself into various religious practices and vice versa: how do ...
As this book goes to print, the BBC is reporting an attack on a luxury tourist resort in Mali by Tuareg and Islamists militants. A very short while back, in 2012, in fact, the rebellion in the North came within a whisker of seizing Mali. If it had not been for the timely armed intervention of France, Mali might have become the first state to fall totally into the hands of elements the West and African governments are still battling in Afghanistan, Iraq, Syria, Libya, Niger, Nigeria and Somalia and who unleash terror on Europe on an almost daily basis. The story of ancient Mali, once one of the greatest empires Africa has ever seen, colonized by the French and now an independent African state...
'Radio Fields' employs ethnographic methods to reveal the diverse domains in which radio is imagined, deployed, and understood. Drawing on research from six continents, the volume demonstrates how the particular capacities and practices of radio provide singular insight into diverse social worlds.
The Malian market at the railway terminus in Dakar was bulldozed in 2009 and, following privatisation of the railway, passenger services in Senegal soon ceased altogether. The consequences were felt especially by women traders who had travelled the line since its inauguration, making the terminus in Dakar the centre of a thriving network of traders and migrants. To examine the fates of those whose livelihoods were destroyed or disrupted, Gunvor Jónsson spent a year with the women evicted from the terminus. Urban Displacement and Trade in a Senegalese Market explores what happens at ‘the end’ of urban displacement, when it is all over, so to speak – when the dust has settled and people...
This anthropological study offers a crucial contribution to scholarly debates about the making of African modernity by considering the implementation and reception of gender reform in the West African context. Historically, attempts at implementing gender reform in West Africa have been met with suspicion. Beyond the perception that such reforms subvert traditional structures of authority and community, many worry that these efforts are inextricably connected to Western imperialism and colonialism. Ludovic Lado’s The Politics of Gender Reform in West Africa examines the politics of a legislative process entirely driven by the state and meant to narrow the gender gap in Ivorian society. Lad...