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Arnold Bennett
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Arnold Bennett
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Arnold Bennett
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Modernism, Modernity, and Arnold Bennett
This book delineates the unique role of Arnold Bennett in the transformation of the British novel from the aesthetic, psychological, and sociopolitical assumptions of modernity to those of modernism. Early in his career, Bennett believed that the rejection of inherited traditions and authorities that was promulgated by such champions of modernity as Darwin, Marx, and even Herbert Spencer, would culminate in an assertion of personal autonomy. Bennett eventually assimilated the modernist critique of modernity, which discovered (with the help of Freud and the First World War) an intractable human irrationality that expressed itself in the most apparently reasonable schemes for human improvement.
Arnold Bennett
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Arnold Bennett
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Arnold Bennett
This set comprises fory volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first sixty-eight volume set of Critical Heritage published by Routledge in October 1995.
Virginia Woolf
This set comprises of 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
American Theatre
This book concludes Gerald Bordman's acclaimed survey of American non-musical theatre. It deals with the years 1930 to 1969, a period when the number of yearly new plays was shrinking, but a period during which American drama as a whole entered the world stage and became a dominant force. With works like Eugene O'Neill's Long Day's Journey into Night, Tennessee Williams's A Streetcar Named Desire, and Arthur Miller's Death of a Salesman, American theater finally reached adulthood both dramatically and psychologically. Bordman's lively, authoritative study covers every Broadway production, as well as every major off-Broadway show. His discussion moves season by season and show by show in chronological order; he offers plot synopses and details the physical production, directors, players, theaters, and newspaper reviews. This book stands together with the preceding volumes of American Theatre as the premier history of American drama.
