Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
On the Sunny Side of the Street
The only woman to achieve major success as a songwriter during the golden age of the American musical, Dorothy Fields brought a genuinely feminine point of view to the writing of romantic lyrics. She wrote the words for more than 400 songs, among them unforgettable standards like "I'm in the Mood for Love", "On the Sunny Side of the Street", "A Fine Romance", and "The Way You Look Tonight". On the Sunny Side of the Street chronicles Dorothy's start in life as the daughter of vaudeville star Lew Fields, and her determination to break into show busines despite her parents' opposition. It brings to life her experiences working in New York and Hollywood from the roaring twenties to the rocking sixties and seventies, her friendships with legendary figures of the musical theatre, and her parallel existence as a wife and mother. Woven through the text is a generous sampling of her finest lyrics, never before collected in book form. In addition, comments by songwriters such as Fred Ebb, Sheldon Harnick, Burton Lane, and Stephen Sondheim and performers such as Rosemary Clooney and Michael Feinstein help to put the achievement of Dorothy Fields in perspective.
Pick Yourself Up
In a career that spanned nearly five decades, Dorothy Fields penned the words to more than four hundred songs, among them mega-hits such as "On the Sunny Side of the Street," "I Can't Give You Anything But Love," "The Way You Look Tonight," and "If My Friends Could See Me Now." While Fields's name may be known mainly to connoisseurs, her contributions to our popular culture--indeed, our national consciousness--have been remarkable. In Pick Yourself Up, Charlotte Greenspan offers the most complete, serious treatment of Fields's life and work to date, tracing her rise to prominence in a male-dominated world.
I Can’t Give You Anything but Love, Baby
Richard Rodgers, Oscar Hammerstein, Jerome Kern, Irving Berlin, and . . . Dorothy Fields. These are the giants of the golden age of musical theater. Although she may not be as well known as her male counterparts, Dorothy Fields was America's most brilliant and successful female lyricist, who for five decades kept up with the greats. As the only woman among the boys' club of popular song, Fields was welcomed by her fellow male artists, who considered her as both an equal and a beloved colleague. Working with thirteen different composers, Fields wrote the lyrics and/or librettos for unforgettable masterpieces, such as Annie Get Your Gun, Redhead, and Sweet Charity. Her more than four hundred s...
Pick Yourself Up
Dorothy Fields first became prominent writing the lyrics for Cotton Club shows in Harlem in the late 1920s and 1930s. Her role as a music creator in a world dominated by men makes a fascinating and unusual story. Greenspan further discusses Fields in relation to other women songwriters and lyricists of the time.
Hearings
None
Songwriters of the American Musical Theatre
From the favorites of Tin Pan Alley to today’s international blockbusters, the stylistic range required of a musical theatre performer is expansive. Musical theatre roles require the ability to adapt to a panoply of characters and vocal styles. By breaking down these styles and exploring the output of the great composers, Songwriters of the American Musical Theatre offers singers and performers an essential guide to the modern musical. Composers from Gilbert and Sullivan and Irving Berlin to Alain Boublil and Andrew Lloyd Webber are examined through a brief biography, a stylistic overview, and a comprehensive song list with notes on suitable voice types and further reading. This volume runs the gamut of modern musical theatre, from English light opera through the American Golden Age, up to the "mega musicals" of the late Twentieth Century, giving today’s students and performers an indispensable survey of their craft.
Sugar Babies
"Sugar Babies is a riotously funny, nostalgic trip for those who remember burlesque and a happy discovery for those too young to recall this irreverent form of American entertainment. All of the classic scenes, including a hilarious dog act are here, along with such wonderful songs as "Exactly Like You", "I Can't Give You Anything But Love Baby" and "Don't Blame Me." "--Publisher.
Notable American Women
Modeled on the "Dictionary of American Biography, "this set stands alone but is a good complement to that set which contained only 700 women of 15,000 entries. The preparation of the first set of "Notable American Women" was supported by Radcliffe College. It includes women from 1607 to those who died before the end of 1950; only 5 women included were born after 1900. Arranged throughout the volumes alphabetically, entries are from 400 to 7,000 words and have bibliographies. There is a good introductory essay and a classified lest of entries in volume three.
Women Writing Musicals
The first-ever book to tell the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals that Publishers Weekly calls "an exhaustive tribute to women whose contributions to Broadway musical history have often been overlooked." Library Journal praises the book, saying, "Tepper has fashioned a winning book on the unsung heroines of Broadway musicals that will be appreciated by readers of women’s studies and theater lore." Kirkus Reviews says it's an "encyclopedic reference" and a "long-overdue tribute to female lyricists and composers." From the composers who pounded the pavement selling their music in Tin Pan Alley at the turn of the twentieth century; to the lyricis...
