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Soap Opera
The soap opera is a major form of media art and popular culture. Revered and reviled by fans and critics, its history spans and reflects social change and plays a vital role in the development of broadcasting. This book traces the genre from its beginnings on American radio in the 1930s to the international television genre it has become today. While concentrating on British soap operas, it also discusses the influence of their American and Australian counterparts. This is the first book to consider the soap opera within the economy of broadcasting; it includes a chapter based on interviews with leading broadcasting executives who give their analysis of the importance of the soap opera to th...
Crossroads
'Crossroads', one of the most successful programmes on television, has attracted a huge and devoted audience of some 15 million regular viewers. Yet, like many soap operas, it is derided by the press and treated with distaste by other programme-makers. Indeed, despite its popularity, its very future currently hangs in the balance. While doing independent research on popular television in the ATV studios in 1981, Dorothy Hobson observed the storm that developed around the company's decision to dispense with Meg Mortimer, star of 'Crossroads'. The repercussions of that announcement were immense and highlighted the gulf between the broadcasting authorities and the progaramme's critics, and the 'Crossroads' production team and the audience. Through talking to the actors, the programme controller and the viewing public, she went on to explore the contradictions of why and how a soap opera is made and viewed, examining the appeal of 'Crossroads' and attempting to locate the programme as part of contemporary popular culture. The result is a revealing, controversial but also very absorbing analysis of a soap opera in crisis.
Channel 4
In November 2007, Channel 4 will be twenty-five years old. Today, such TV events as the 'Big Brother/Jade Goody Affair' have put the channel itself at the centre of public debate. Yet during its foundation years on British screens, Channel 4 was seen as more controversial and dangerous than this. Published for Channel 4's 25th anniversary, this book explores the channel's most important foundation period, under its inspirational first Chief Executive, Jeremy Isaacs. Charged by Parliament to be innovative, experimental, and educational, the new channel had to attract audiences and make a space for new voices. Did it fulfill its brief? It also assesses the legacy of the channel and asks: has i...
Media Studies: Content, audiences, and production
This book includes theoretical approaches as well as a production section that focuses on basic techniques and introductory applications of media studies.
Celestial Interim
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Feminist Film Studies
"Feminist Film studies: Writing the Woman into Cinema provides an introduction to feminist film theory as a discourse that grew in cultural significance since the early 1970s to the present." -- Page 4 of cover.
The Development of West Indies Cricket, Vol. 2
This volume covers the "third rising" of West Indies cricket. As the sport becomes ever more commercialized, large amounts of money have established sponsorship & support systems to give cricketers around the world every possible advantage. Beckles assesses what impact the globalization of cricket has had on the cricketers of the Caribbean. He also describes the emergence of what he argues is a debilitating sub-nationalism in the West Indies, & the effect this has had on the game, & the prospect for integrating West Indian nationhood in the twenty-first century.
Media Culture & Morality
First published in 1994. The media report terrible events. But the academic study of the media is increasingly trivial and lacking in moral seriousness. Media, Culture and Morality examines how this paradoxical situation could have emerged. The author seizes upon the disparity between the enormous production of books in the field and the lack of substantive insights generated. He argues that such a mass of self-conscious criticism should have provided a moral critique of contemporary culture not the quagmire of theoretical verbiage and threadbare politicizing we are faced with today. The book is a disturbing speculation on the fate of moral and cultural values in a media-dominated world.
Media, Culture, and Morality
Examines the paradoxical situation where the media report terrible events, but the academic study of the media is increasingly trivial.
