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Frieda Lawrence once remarked, «Nobody seems to have an idea of the quality of Lawrence's and my relationship, the essence of it.... The deep attraction was there and that was what counts.» This insightful and original study investigates how one of the finest literary minds of the twentieth century experienced deep sexual attraction. In close readings of all of D. H. Lawrence's major novels, Douglas Wuchina charts the growth of sexual attraction between Lawrencian couples as it affects both body and spirit. The theoretical framework is not Foucault's or Lacan's or Bakhtin's but Lawrence's own, with frequent reference to his innovative theory of the chakras and his rejection of modern partn...
This book is the first to examine the influence of Shakespeare—particularly Hamlet—on D. H. Lawrence. Using the Bloomian theory of the “anxiety of influence” to probe the startling depths of Lawrence’s agon with his towering precursor Shakespeare, it closely examines Lawrence’s crypto-Jewish identity, as well as that of many of his highly individual characters, who embody the characteristics of Old Testament figures, and in so doing infuse a patriarchal strength and divine “religious” sublimity into civilized life. Lawrence’s claims about the self-sacrificing influence of Christianity on Shakespeare’s Hamlet, on the other hand, demonstrate how this influence carries over ...
Tone is often decisive in whether we love or dislike a story, novel, or even critical essay. Yet literary critics rarely treat tone as a necessary or important element of literary style or critique. There are surprisingly few analyses of what tone is, how texts produce tone, or the ways tone--as an essential element of narration--contributes to character, story, mood, and voice. Tone's 24 micro-chapters offer a playful, eclectic, and fast-paced guide into the creation of tone in a variety of modern and contemporary works of literature by such varied writers as Hemingway, Woolf, and Sedaris, as well as in criticism, advertising, and machine-authored texts. Judith Roof shows how tone is a crucial element in all writing, as it produces the illusion of a telling voice; creates a sense of character, personality, and attitude; inflects events recounted; anticipates certain directions and possibilities; and creates an ambiance that simultaneously produces, enables, and shapes narratives and characters. Tone gives us a lively and original way to rethink the practice of literary criticism.
This Study Goes Beyond Mere Macro-Statistics And Statistical Controversies Regarding The Impact Of Liberalisation On The Poor And Endeavours To Further The Understanding Of The Processes And Dynamics Involved In Various Urban Livlihoods.
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