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Graphic Design, Print Culture, and the Eighteenth-Century Novel
The uniformity of the eighteenth-century novel in today's paperbacks and critical editions no longer conveys the early novel's visual exuberance. Janine Barchas explains how during the genre's formation in the first half of the eighteenth century, the novel's material embodiment as printed book rivalled its narrative content in diversity and creativity. Innovations in layout, ornamentation, and even punctuation found in, for example, the novels of Richardson, an author who printed his own books, help shape a tradition of early visual ingenuity. From the beginning of the novel's emergence in Britain, prose writers including Daniel Defoe, Jonathan Swift, and Henry and Sarah Fielding experimented with the novel's appearance. Lavishly illustrated with more than 100 graphic features found in eighteenth-century editions, this important study aims to recover the visual context in which the eighteenth-century novel was produced and read.
Donald M. Berwick
None
Guide to Asian Studies in Europe
This Guide is produced on behalf of the European Science Foundation Asia Committee. The Guide provides a comprehensive survey of researchers, institutes, university departments, museums, organisations, and newsletters in the field of Asian Studies in Europe. The 352 page Guide is published by the International Institute for Asian Studies in co-operation with Curzon. This is the first such guide ever published, and contains highly detailed current information including specialisation by subject and region for each entry. The Guide contains an alphabetical list of 5,000 European Asianists; 1,200 institutes and university departments; 300 museums, organisations, and newsletters.
Collected in Himself
A collection of various essays about Pope and the eighteenth century written by Professor Mack during the past four decades. An appendix includes a finding list of books surviving from Pope's library and a selection of letters by, to, and about Pope, most of them unpublished.
The Brink of All We Hate
"Is it not monstrous, that our Seducers should be our Accusers? Will they not employ Fraud, nay often Force to gain us? What various Arts, what Stratagems, what Wiles will they use for our Destruction? But that once accomplished, every opprobrious Term with which our Language so plentifully abounds, shall be bestowed on us, even by the very Villains who have wronged us"—Laetitia Pilkington, Memoirs (1748). In her scandalous Memoirs, Laetitia Pilkington spoke out against the English satires of the Restoration and eighteenth century, which employed "every opprobrious term" to chastise women. In The Brink of All We Hate, Felicity Nussbaum documents and groups those opprobrious terms in order ...
The Book Collector
None
Reading Swift
Containing thirty-one lectures deliv-ered at the Fifth Münster Symposium on Jonathan Swift in May 2006, this volume testifies to the broad spectrum of research interests in the Dean of St Patrick's, Dublin, and his work. The essays have been grouped in nine sections: theoretical approaches (A. C. Elias, Jr, Melinda Rabb); bio-graphical problems (W. B. Carno-chan, João Fróes); bibliographical and textual studies (James E. May, Stephen Karian, James McLaverty); A Tale of a Tub (Marcus Walsh, Allan Ingram, Frank T. Boyle); historical, religious, and political issues (Sean Connolly, Ian Higgins, Howard D. Weinbrot, Toby C. Barnard, Valerie Rumbold); poetry (Clive T. Probyn, John Irwin Fischer, Dirk F. Passmann and Hermann J. Real; James Wool-ley); Swift and Ireland (Joseph McMinn, Sabine Baltes, Sean Moore); Gulliver's Travels (Ann C. Kelly, Serge Soupel, Clement Hawes, J. A. Downie); and Reception and Adapta-tion (Peter Sabor, Sabine Wendel, Flavio Gregory, Gabriella Hartvig, Michael Düring).
The Literary History of England
The paperback edition, in four volumes, of this standard work will make it readily available to students. The scope of the work makes it valuable as a work of reference, connecting one period with another and placing each author clearly in the setting of his time. Reviewing the first edition, The Times Literary Supplement commented: ‘in inclusiveness and in judgment it has few rivals of its kind’. This third volume covers the Restoration and the Eighteenth Century (1660-1789) and is co-authored by George Sherburn and Donald F. Bond (both at the University of Chicago).
