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Dudley Murphy, Hollywood Wild Card
Follows the life of Hollywood's first independent filmmaker known for "The Emperor Jones" and "Ballet mâecanique."
Some of These Days
With portraits of actors, dancers, architects, poets, directors, and musicians, Some of These Days highlights how the so-called New Negro Movement of the 1920s reverberated far beyond Harlem to cities such as London, Paris, Berlin, and Vienna to ignite the global renaissance of modernist culture.
Dada and Surrealist Film
This groundbreaking collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements.
Journal of the House of Representatives ... Session of the Legislative Assembly of the Territory of Minnesota
Includes extra and special sessions.
Carl W. Peters
Throughout his life Peters depicted the ordinary places and people of America. From Rochester to Rockport, Peters made an amazingly coherent group of fascinating, masterful American pictures.
Queer Pollen
This book discusses three notable black queer twentieth century artists and how they turned to various media to work through their experiences living as queer black men.
The Most Typical Avant-Garde
Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States. As he brilliantly delineates the cultural perimeter of the film business from the earliest days of cinema to the contemporary scene, David James argues that avant-garde and minority filmmaking in Los Angeles has in fact been the prototypical attempt to create emancipatory and progressive culture. D...
Jammin' at the Margins
American cinema has long been fascinated by jazz and jazz musicians. Yet most jazz films aren't really about jazz. Rather, as Krin Gabbard shows, they create images of racial and sexual identity, many of which have become inseparable from popular notions of the music itself. In Jammin' at the Margins, Gabbard scrutinizes these films, exploring the fundamental obsessions that American culture has brought to jazz in the cinema. Gabbard's close look at jazz film biographies, from The Jazz Singer to Bird, reveals Hollywood's reluctance to acknowledge black subjectivity. Black and even white jazz artists have become vehicles for familiar Hollywood conceptions of race, gender, and sexuality. Even ...
The Splendid Drunken Twenties
This generous, representative sampling from the daybooks of Carl Van Vechten, one of the most significant figures of the Harlem Renaissance, is a rich resource and major reference tool for reconstructing the culture of 1920s New York, the social milieu during Prohibition, and more. Bruce Kellner has provided copious, informative notes identifying central figures and clarifying details.Between 1922 and 1930, Van Vechten kept a daily record of his activities. Not exactly diaries, but more than appointment books, the daybooks record his daily comings and goings as well as the alliances, drinking habits, feuds, and affairs of a wide number of luminaries of the period. They catalog tales of bootlegging, literary teas, shifting cliques of artists and writers, cabaret slumming, sexual and social peccadilloes, and a seemingly endless sequence of parties.
