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The Challicum Sketch Book 1842-53
The nineteenth century squatter and painter Duncan Elphinstone Cooper spent about thirteen years of his life in the Western District of Victoria where he painted the fifty-four pictures presented in this volume. Most of these are from Cooper's The Challicum Sketch Book, now a treasured part of the collections of the National Library of Australia; the paintings deal almost exclusively with the grazing property of that name — from tent to house and beyond.
The Challicum Sketch Book, 1842-53
The nineteenth century squatter and painter Duncan Elphinstone Cooper spent about thirteen years of his life in the Western District of Victoria where he painted the fifty-four pictures presented in this volume. Most of these are from Cooper's The Challicum Sketch Book, now a treasured part of the collections of the National Library of Australia; the paintings deal almost exclusively with the grazing property of that name - from tent to house and beyond.
The Vision Splendid
The Vision Splendid features the sketchbooks of 22 nineteenth-century artists, ranging from well-known professionals like Eugene von Gu�rard and John Glover to amateurs about whom little is known. These artists, engineers, surveyors, military men, solicitors, public servants and pastoralists all delighted in recording what they saw and then sharing it with family, friends and the wider public. The sketches reveal what colonial life in Australia was like at that time, both in the country and in the city, and the challenges the artists faced depicting landscapes that were so different from those in Europe.
Eucalypt Flowers
Whether small shrub-like mallees or forest giants, eucalypts are a defining feature of the Australian landscape-the essence of 'the bush'. Their striking forms and beautiful foliage and flowers have inspired a host of talented artists since first seen by the early European explorers. Eucalypt Flowers features more than 100 stunning images, drawn from the collections of the National Library of Australia. It presents some two and a half centuries of the best in eucalypt botanical illustration by 45 well-known and lesser-known artists and engravers.
Exploring Place in the Australian Landscape
This book offers an original framework on how to investigate, understand and translate sense of place at a regional scale. The book explores contemporary sense of place theory and practice, drawing upon the Western District of Victoria, in Australia, being the "Country of the White Cockatoo". It offers a unique multi-temporal and thematical analytical approach towards comprehending and mapping the values that underpin and determine strengths of human relationships and nuances to this landscape. Included is a deep ethno-ecological and cross-cultural translation, that takes the reader through both the Western understanding of sense of place as well as the Australian Aboriginal understanding of Country. Both are different intellectual constructions of thoughts, values and ideologies, but which share numerous commonalities due to their archetypal meanings, feelings and values transmitted to humans.
Early Painters of Australia, 1788-1880
A survey of early Australian painting from 1788 to 1880 in which social influences and trends in art are well explained. Although many of the works featured are amateur in approach, the historical viewpoint is interesting and the more professional colonial artists are well documented. Precursors to the Heidelberg School such as Von Guerard and Buvelot are placed in their artistic and social context. There are 148 numbered colour plates, many full page; each refers to a list with details about the paintings. Well presented and easy to read, the book would lend itself well to the study of Australian art: the colonial art theme in year 11.
