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Paradox informs the narrative sequence, images, and rhetorical tactics contrived by skilled dramatists and novelists. Their literary languages depict not only a war between rivals but also simultaneous affirmation and negation voiced by a tragic individual. They reveal the treason, flux, and duplicity brought into play by an unrelenting drive for respect. Their patterns of speech, action, and image project a convergence of polarities, the convergence of integrity and radical change, of constancy and infidelity. A fanatical drive to fulfill a traditional code of masculine conduct produces the ironic consequence of de-forming that code—the tragic paradox. Tragic literature exploits irony. In...
In this stimulating analysis, Shipp provides the reader with an introduction and critique of literary-rhetorical analysis as well as an in-depth treatment of the triple account of Paul's Damascus Road experience in Acts. Luke used the repetition of the Damascus narrative as a literary device identifying Pauline disobedience and resistance and the transformation of these characteristics. With the first Damascus narrative, Luke provided the reader with a paradigmatic image of resistance transformed. . . . Luke used the Damascus narratives and these themes to bracket the 'Paulusbild,' fashioning the trial narrative into an extended period of transformation of Pauline resistance. Beginning in 19...
In an age of diversity and pluralism, asks Hiedlebaugh (communication studies, Oswego State U. of New York), how can people talk productively about those issues that most divide them. Two main sub- questions generated by her investigation are how people can reason together to make good decisions when standards for what counts as reasonable vary profoundly, and how can they know how to produce good rhetoric when standards for what counts as good are shifting. c. Book News Inc.
Metatheater, or "theater within theater," is a critical approach often used in studies of Shakespearian or modern drama. Breaking new ground in the study of ancient Greek tragedy, Mark Ringer applies the concept of metatheatricality to the work of Sophocles. His innovative analysis sheds light on Sophocles' technical ingenuity and reveals previously unrecognized facets of fifth-century performative irony. Ringer analyzes the layers of theatrical self-awareness in all seven Sophoclean tragedies, giving special attention to Electra, the playwright's most metatheatrical work. He focuses on plays within plays, characters who appear to be in rivalry with their playwright in "scripting" their dram...
What is the purpose of Paul's letter to the Romans? Esler provides an illuminating analysis of this epistle, employing social-scientific methods along with epigraphy and archaeology. His conclusion is that the apostle Paul was attempting to facilitate the resolution of intergroup conflict among the Christ-followers of Rome, especially between Judeans and non-Judeans, and to establish a new identity for them by developing a form of group categorization that subsumes the various groups into a new entity.
Helen of Troy engages with the ancient origins of the persistent anxiety about female beauty, focusing on this key figure from ancient Greek culture in a way that both extends our understanding of that culture and provides a useful perspective for reconsidering aspects of our own.
Scholars have long noted the strikingly visual aspects of Statius’ poetry. This book advances our understanding of how these visual aspects work through intertextual analysis. In the Thebaid, for instance, Statius repeatedly presents “visual narratives” in the form of linked descriptive (or ekphrastic) passages. These narratives are subject to multiple forms visual interpretation inflected by the intertextual background. Similarly, the Achilleid activates particularly Roman conceptions of masculinity through repeated evocations of Achilles’ blush. The Silvae offer a diversity of modes of viewing that evoke Roman conceptions of gender and class.
Fairies have been revered and feared, sometimes simultaneously, throughout recorded history. This encyclopedia of concise entries, from the A-senee-ki-waku of northeastern North America to the Zips of Central America and Mexico, includes more than 2,500 individual beings and species of fairy and nature spirits from a wide range of mythologies and religions from all over the globe.