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Clichy Paperweights
The Cristallerie de Clichy was arguably the finest paperweight maker in the world during the classic period. In their relatively short history they made some of the finest weights ever produced. This book is the history of Clichy, focusing on its magnificent glass paperweights. The author has spent over thirty years, and driven over a million miles, researching and photographing weights for inclusion in this book. Here the reader will find the history of the crystalworks and its wonderful creations. Also included is an overview of the period world's fairs, starting with the first one, the London Crystal Palace Exhibition in 1851. Clichy was an award winner and major contributor to these stun...
The Sound of Sleat
The Sound of Sleat is an intensely personal record of the forces and events that shaped Jon Schueler (1916-1992) as an artist. At the same time, it evokes with great resonance the various cultural, historical and geographical contexts that informed his life: from pre-war Midwestern America to the Western Highlands of Scotland where, from his studio, he could look across the Sound of Sleat to Skye and the other islands of the Inner Hebrides, a vista that allowed him to strike the delicate balance between the observation of nature and abstract forms, which is the mystery and power of Schueler's paintings. The book recounts his dramatic childhood in Milwaukee and traumatic war years in Britain ...
The Garden of Art
Elegant, surreal, erotic, ecological, autobiographical, perpetual, populist, comic! These are the words that describe the work of noted Regina sculptor Victor Cicansky. The book celebrates the voice, life, and art of this prolific prairie-based artist. Nature, tamed or wild, informs everything he makes; worlds we recognize with pleasure, where cabbages are kings. This book is written in a style that is informed by, yet not overburdened with, critical analysis, allowing the art to speak for itself.
The Art Happens Here
Net Art Anthology aims to represent net art as an expansive, hybrid set of artistic practices that overlap with many media and disciplines. To accommodate this diversity of practice, Rhizome has defined "net art" as "art that acts on the network, or is acted on by it." Rhizome prefers the term "net art" because it has been used more widely by artists than "internet art," which is more commonly used by institutions, or "net.art," which usually evokes a specific mid-90s movement. The informality of the term "net art" is also appropriate not only to the critical use of the web as an artistic medium, but also informal practices such as selfies and Twitter poems.
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