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WINNER OF THE NOBEL PRIZE IN LITERATURE The classic anthem to youth from Bob Dylan, one of our best-loved songwriters, reimagined as a picture book by award-winning illustrator Paul Rogers. Since it first appeared on the 1974 album Planet Waves, "Forever Young" has been one of Bob Dylan's most beloved songs. Now award-winning artist Paul Rogers gives us a new interpretation of the lyrics. With images inspired by classic Dylan songs and pieces of his life, this is a bold and touching tribute to an anthem whose message will always stay forever young.
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A broad cultural history of the postwar US, this book traces how middle-class white Americans increasingly embraced figures they understood as outsiders and used them to re-imagine their own cultural position as marginal and alienated. Romanticizing outsiders and becoming rebels, middle-class whites denied the contradictions between self-determination and social connection.
Israel G. "Izzy" Young was the proprietor of the Folklore Center in Greenwich Village from the late 1950s to the early 1970s. The literal center of the New York folk music scene, the Center not only sold records, books, and guitar strings but served as a concert hall, meeting spot, and information kiosk for all folk scene events. Among Young's first customers was Harry Belafonte; among his regular visitors were Alan Lomax and Pete Seeger. Shortly after his arrival in New York City in 1961, an unknown Bob Dyan banged away at songs on Young's typewriter. Young would also stage Dylan's first concert, as well as shows by Joni Mitchell, the Fugs, Emmylou Harris, and Tim Buckley, Doc Watson, Son H...
'The Mansion on the Hill' will disabuse you once and for all of the notion that rock 'n' roll was ever really about changing the world. It is absolutely essential read for any music aficionado whose curiosity is not satisfied by myth alone.
A medical thriller “full of twists and secrets from the completely heartbreaking start to marvellously shocking yet satisfying ending . . . brilliant” (White Tulip Candles). He’s a doctor . . . but can you trust him? With his marriage collapsing and grief-stricken following the death of his baby son, surgeon Dan Lewis is struggling to make sense of it all. His work is his lifeline. But when he fixates on a child patient he thinks has a potentially lethal disease, no one believes the diagnosis. They all think he’s losing his mind. When one of Dan’s critics is senselessly murdered and the evidence points to the damaged doctor as the prime suspect, his bad situation becomes desperate. But there’s a dark secret linking the ill child and the murder victim. One that no one other than Dan can see. Can he overcome his paralyzing despair to reveal the truth and clear himself? And if he does, will he be in time to save an innocent child from a terrifying fate?
Many American folk singers have tried to leave their world a better place by writing songs of social protest. Musicians like Woody Guthrie, Leadbelly, Pete Seeger, Bob Dylan, and Joan Baez sang with fierce moral voices to transform what they saw as an uncaring society. But the personal tales of these guitar-toting idealists were often more tangled than the comparatively pure vision their art would suggest. Many singers produced work in the midst of personal failure and deeply troubled relationships, and under the influence of radical ideas and organizations. This provocative work examines both the long tradition of folk music in its American political context and the lives of those troubadours who wrote its most enduring songs.