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A reconsideration of Arthurian compilations in the late middle ages, looking at the complex ways in which they reshape their material for new audiences.
`A lucid and rich analysis eminently suited to students at undergraduate and graduate levels.' CHOICEBeverley Kennedy puts Malory's concern with knighthood at the very heart of the Morte Darthur. She identifies three types of knight: the Heroic (Gawain), the Worshipful (Tristram and Arthur), and the True (Lancelot, Gareth and the Grail Knights), and argues that this knightly typology creates the thematic unity of the Morte Darthur. It also allows Malory to develop two quite different contexts, one pragmatic and political, the other religious and providential, within which the reader may judge why Arthur's reign ended in catastrophe.BEVERLEY KENNEDY is Professor of English at Marianopolis College, Canada.
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"Sir Gawain and the Green Knight' is a great poem that gives some powerful twists to traditional materials. The story combines two ancient elements, beheading and seduction, in a fresh and remarkable way; it takes familiar medieval themes -- the feast, the seasons, the arming of the warrior, the hunt -- and gives them a new glamor. The 'intertextuality' of this brilliant poem can be most clearly seen through Elisabeth Brewer's modern English versions of other related medieval writings. Her book is a delightful and unusual small anthology of medieval literature; but its greatest success lies in providing a context for a fuller understanding of "Sir Gawain" through its presentation of extracts and poems (including translations from Celtic and French originals) illustrating the tradition in which the Gawain-poet wrote, underscoring his own great achievement. -- From publisher's description.
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An account in words and pictures of how the world of Camelot and King Arthur's knights was reflected in, and shaped by, book illustration.
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