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Lieven Gevaert Series 7Does photography have a hybrid or chameleonic character because it can be part of entirely different mixed-media works of art? Photography as a medium is faced with the challenge of escaping from its too-frequent use as rather noncommittal and "poetic" visual imagery. How best might photographers proceed to maintain the integrity of their art? A distinguished group of art historians, art theorists, and specialists in contemporary photography address these issues in Photography between Poetry and Politics. They suggest that by raising a critical debate on the internal workings of the artistic system itself or on broader social problems, photographers might be able to transcend both political and aesthetic concerns, and so revitalize their art form and regain its autonomy.
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‘a game-changer, a must-read for scholars, students and artists alike’ – Tom Finkelpearl At a time when art world critics and curators heavily debate the social, and when community organizers and civic activists are reconsidering the role of aesthetics in social reform, this book makes explicit some of the contradictions and competing stakes of contemporary experimental art-making. Social Works is an interdisciplinary approach to the forms, goals and histories of innovative social practice in both contemporary performance and visual art. Shannon Jackson uses a range of case studies and contemporary methodologies to mediate between the fields of visual and performance studies. The result is a brilliant analysis that not only incorporates current political and aesthetic discourses but also provides a practical understanding of social practice.
Written as an advocacy of melancholy’s value as part of landscape experience, this book situates the concept within landscape’s aesthetic traditions, and reveals how it is a critical part of ethics and empathy. With a history that extends back to ancient times, melancholy has hovered at the edges of the appreciation of landscape, including the aesthetic exertions of the eighteenth-century. Implicated in the more formal categories of the Sublime and the Picturesque, melancholy captures the subtle condition of beautiful sadness. The book proposes a range of conditions which are conducive to melancholy, and presents examples from each, including: The Void, The Uncanny, Silence, Shadows and Darkness, Aura, Liminality, Fragments, Leavings, Submersion, Weathering and Patina.
Since the turn of the century, Performance Studies has emerged as an increasingly vibrant discipline. Its concerns - embodiment, ethical research and social change - are held in common with many other fields, however a unique combination of methods and applications is used in exploration of the discipline. Bridging live art practices - theatre, performance art and dance - with technological media, and social sciences with humanities, it is truly hybrid and experimental in its techniques. This Companion brings together specially commissioned essays from leading scholars who reflect on their own experiences in Performance Studies and the possibilities this offers to representations of identity, self-and-other, and communities. Theories which have been absorbed into the field are applied to compelling topics in current academic, artistic and community settings. The collection is designed to reflect the diversity of outlooks and provide a guide for students as well as scholars seeking a perspective on research trends.
Invaluable resource for anyone who wants to understand contemporary Chinese art, one of the most fascinating art scenes of the late 20th and early 21st centuries.
Jeff Wall and Jacques Herzog are among art and architecture's most successful representatives. Award-winning photographer Wall's photography of Herzog & de Meuron's Dominus Winery in California (1999) represents the point of departure for a discussion on the relationship between art and photography. Questions arise on topics such as "photogenic architecture," the construction of pictures and buildings, and the question of time.
An argument that video is not merely an intermediate stage between analog and digital but a medium in its own right; traces the theoretical genealogy of video and examines the different concepts of video seen in works by Vito Acconci, Ulrike Rosenbach, Steina and Woody Vasulka, and others. Video is an electronic medium, dependent on the transfer of electronic signals. Video signals are in constant movement, circulating between camera and monitor. This process of simultaneous production and reproduction makes video the most reflexive of media, distinct from both photography and film (in which the image or a sequence of images is central). Because it is processual and not bound to recording an...
The fourth volume in a history of photography, this is a bibliography of books on the subject.