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This text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives.
This is the first coherent historical account of the changing attitudes to the way art is presented in the modern museum of art. Nicholas Serota examines the relationship between the artist, the public and the curator. He takes us into the artist's studio, itself a paradigm of display, and then on a knowledgeable and wide-ranging international tour of museums, galleries and installations. With authority and insight, he provides an expert view of the ways we can expect art to be displayed in the twenty-first century.
At the core of The Museum of Modern Art's new building in Midtown Manhattan are dramatic and expansive new galleries devoted to showcasing the Museum's world-famous collection of international contemporary art. Contemporary Highlights presents this impressive collection in a portable size. This new handbook features curators' selections of the most significant artworks of the past twenty-five years. Interweaving 250 highlights from the Museum's seven curatorial departments - architecture and design, drawing, film, media, painting and sculpture, photography and prints, and illustrated books - this volume presents a broadly chronological overview of the innovative, provocative and always fascinating art of the past quarter century. Each work is presented on its own page in full colour, and each is accompanied by a brief and accessible essay outlining the work's significance. As a companion to MoMA Highlights or on its own, Contemporary Highlights is an indispensable publication for those interested in contemporary art and the collection of The Museum of Modern Art.
A compelling examination of the art museum from a renowned director, this sweeping book explores how architecture, vision, and funding have transformed art museums around the world over the past eighty years. How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major institutions over the course of his distinguished career. For The Art Museum in Modern Times, Saumarez Smith has undertaken an odyssey, visiting art museums across the globe and examining how the experience of art is shaped by the buildings that house it. His story starts with the Museum of M...
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
For the past few years, The Museum of Modern Art has been in the midst of the largest building project in its history. Designed by Yoshio Taniguchi, the new museum will open in midtown Manhattan in November 2004 - 2005 to coincide with MoMA's 75th anniversary. The 630,000-square-foot complex is nearly twice the size of the former facility, with dramatically expanded and redesigned spaces for exhibitions, public programming, educational outreach, and scholarly research. In his initial proposal, Taniguchi explained that his goal was "to create an ideal environment for art and people through the imaginative and disciplined use of light, materials, and space." His stated vision of "a museum that preserves and reinforces MoMA's unique character as the repository of an incomparable collection of modern and contemporary art, as a pioneer of museums of modern art with a unique historical inheritance, and as an urban institution in a midtown Manhattan location" has been resoundingly implemented. The New Museum of Modern Art offers an affordable, concise overview of the new building and its master architect by Glenn D. Lowry, Director of The Museum of Modern Art.
Catalog of an exhibition held at the Museum of Modern Art, New York, Sept. 15, 2010-May 2, 2011.
In the eighteenth and early nineteenth centuries the first modern, public museums of art—civic, state, or national—appeared throughout Europe, setting a standard for the nature of such institutions that has made its influence felt to the present day. Although the emergence of these museums was an international development, their shared history has not been systematically explored until now. Taking up that project, this volume includes chapters on fifteen of the earliest and still major examples, from the Capitoline Museum in Rome, opened in 1734, to the Alte Pinakothek in Munich, opened in 1836. These essays consider a number of issues, such as the nature, display, and growth of the muse...
"What is The Museum of Modern Art? For some it is a cherished sanctuary, for others an idea concretized through the art it has collected and exhibited, and for others still an educational laboratory where challenging and difficult art is confronted, measured, and understood. Founded in 1929 in small temporary quarters at 730 Fifth Avenue and now housed in a building that occupies almost half a city block at 11 West 53rd Street, The Museum of Modern Art, New York is on the cusp of a massive renovation and expansion that will see it into the 21st century. The Museum is a repository of masterpieces of modern and contemporary art, 325 of the best of which are reproduced here, accompanied by short, incisive, and intelligent texts."--Amazon.ca
This title is one in a series presenting four masterpieces by four immortal nineteenth-century French painters. Each miniature book faithfully reproduces its title painting on the front cover, and is packaged in a handsome slipcase that doubles as a picture frame. The frame can stand up on a desk or tabletop or be hung on the wall to display the book cover's striking painting. Each book's interior discusses its title painting, describing the artist's approach to his work, analyzing the picture's fine points, and showing close-up details from the painting. A final two-page spread presents a timeline capsule biography that lists significant events in the painter's life. Van Gogh--Starry Night shows and discusses Vincent Van Gogh's masterpiece, which is a mystically glowing nighttime landscape, and ranks today as one of the artist's most popular and beloved paintings.