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Transforming Traditions in Modern Chinese Painting
Modern Chinese painting embodies the constant renewal and reinvigorations of Chinese civilization amidst rebellions, reforms, and revolutions, even if the process may appear confusing and bewildering. It also demonstrates the persistence of tradition and limits of continuities and changes in modern Chinese cluture. Most significantly, it compels us to ask several important questions in the study of modern Chinese culture: How extensively can cultural tradition be re-interpreted before it is subverted? At what point is creative re-invention an act of betrayal of tradition? How has selective borrowing from Chinese tradition and foreign cultrue enabled modern Chinese artists to sustain themselves in the modern world? By focusing on the art of Huang Pin-hung (1865-1955), particularly his late work, this book attempts to provide some answers to these questions.
Anxiety Aesthetics
Anxiety Aesthetics is the first book to consider a prehistory of contemporaneity in China through the emergent creative practices in the aftermath of the Mao era. Arguing that socialist residues underwrite contemporary Chinese art, complicating its theorization through Maoism, Jennifer Dorothy Lee traces a selection of historical events and controversies in late 1970s and early 1980s Beijing. Lee offers a fresh critical frame for doing symptomatic readings of protest ephemera and artistic interventions in the Beijing Spring social movement of 1978–80, while exploring the rhetoric of heated debates waged in institutional contexts prior to the '85 New Wave. Lee demonstrates how socialist aesthetic theories and structures continued to shape young artists' engagement with both space and selfhood and occupied the minds of figures looking to reform the nation. In magnifying this fleeting moment, Lee provides a new historical foundation for the unprecedented global exposure of contemporary Chinese art today.
Academies and Society in Southern Sung China
Academies were part of the educational institutions of the Sung (960-1279), an era in China marked by profound changes in economy, technology, thought, and social and political order. This study explains the phenomenon in the light of the changes in society and in intellectual circles.
The Sea of Learning
" In 1817 a Cantonese scholar was mocked in Beijing as surprisingly learned for someone from the boondocks; in 1855 another Cantonese scholar boasted of the flourishing of literati culture in his home region. Not without reason, the second man pointed to the Xuehaitang (Sea of Learning Hall) as the main factor in the upsurge of learning in the Guangzhou area. Founded in the 1820s by the eminent scholar-official Ruan Yuan, the Xuehaitang was indeed one of the premier academies of the nineteenth century. The celebratory discourse that portrayed the Xuehaitang as having radically altered literati culture in Guangzhou also legitimated the academy’s place in Guangzhou and Guangzhou’s place as...
Harmony Garden
This is the first complete study of China's most popular eighteenth-century poet in any Western language. The work consists of a detailed biography, a study of Yuan's revolutionary reinterpretation of Chinese literary theory, and an analysis of his many contributions to the more original genres of Qing-dynasty (1644-1911) poetry such as narrative, historical, didactic, eccentric, and nature verse. The study is concluded by a generous and representative sampling of Yuan's poetry in translation, the first to do justice to the wide variety and richness of his oeuvre. Although many shorter poems are selected, this is the first translation to include his outstanding longer poetry. Harmony Garden will completely revise current attitudes in the west concerning classical Chines literature during the eighteenth century, a period that was long viewed as one of decline, but now appears to equal the golden ages of antiquity.
The Making of a New Rural Order in South China
In examining the key merchant group in late imperial China this book provides a framework for understanding China's path to modernity.
Four Seasons
This important contribution to imperial Chinese history illuminates the basic concerns of the Ming state. Eminent scholar John W. Dardess shows in fascinating detail how Emperor Jiajing and his grand secretaries managed affairs of state and how personal ambition and policy differences combined to animate imperial political life. At the top sat Jiajing, industrious, religious, knowledgeable, ritually pious, but short-tempered and cruel. His chief assistants during his forty-six-year reign were his four successive grand secretaries. First was Zhang Fujing, a hard-minded bureaucratic fighter and ideologue, life coach to Jiajing during his youth. Then came Xia Yan, a superb technocrat who was ex...
The Country of Streams and Grottoes
A study of the Han expansion in southern Sichuan during the Song dynasty. It seeks to discover the economic forces and political relationships that produced a characteristic regional society and landscape out of the meeting of two unlike civilizations and especially to demonstrate how pressures from the centers of Han power and culture affected life on the frontier.
Rituals Of Recruitment In Tang China
This study analyzes records of annual ritual performances in order to trace the emergence of the culture of civil service examination recruitment in its social and political contexts during China's Tang dynasty (618-907).
Painting and Private Life in Eleventh-century China
In the eleventh century, the focus of Chinese painting shifted dramatically. The subject matter of most earlier works of art was drawn from a broadly shared heritage of political, religious, and literary themes. Late in the century, however, a group of scholar-artists began to make paintings that reflected the private experiences of their own lives. Robert Harrist argues here that no work illuminates this development more vividly than Mountain Villa, a handscroll by the renowned artist Li Gonglin (ca. 1041-1106). Through a detailed reading of the painting and an analysis of its place in the visual culture of Li's time, the author offers a new explanation for the emergence of autobiographic c...
